The Simon & Garfunkel song "Mrs. Robinson" was originally called "Mrs. Roosevelt," most likely after First Lady Eleanor Roosevelt. The title was changed when it was considered for use in the film The Graduate, where Anne Bancroft's character is Mrs. Robinson.
The fadeout on Drake's "Hotline Bling" lasts 55 seconds - one of the longest outros of any hip-hop hit.
Mike Nesmith wrote Linda Ronstadt's first hit, "Different Drum," before he joined The Monkees. He played an intentionally bad version of it on the show.
Whitesnake's "Here I Go Again" is a very inspiring song, but it's really about heartbreak: David Coverdale wrote it when his first marriage was falling apart.
"Centerfield" was the first song enshrined in the Major League Baseball Hall of Fame.
"Unchained Melody" first appeared in a 1955 movie called Unchained. The Righteous Brothers recorded it in 1965, and their version was resurrected in the 1990 movie Ghost.
What are the biggest US hits with French, Spanish (not "Rico Suave"), Italian, Scottish, Greek, and Japanese titles?
An interview with Frankie Valli, who talks about why his songs - both solo and with The Four Seasons - have endured, and reflects on his time as Rusty Millio on The Sopranos.
Into the vaults for this talk with Bolton from the '80s when he was a focused on writing songs for other artists.
Just like Darrin was replaced on Bewitched, groups have swapped out original members, hoping we wouldn't notice.
Established as a redoubtable singer-songwriter, the Men At Work frontman explains how religion, sobriety and Jack Nicholson play into his songwriting.
Rufus Wainwright on "Hallelujah," his album Unfollow The Rules, and getting into his "lyric trance" on 12-hour walks.