Only one Oasis song reached the top 10 of Billboard's Hot 100. "Wonderwall" peaked at #8 in 1996.
The Spacehog song "In The Meantime" samples an obscure recording of telephone noise, which is used at the beginning of the song.
Ronnie Dunn wrote "Boot Scootin' Boogie" before he teamed up with Kix Brooks to form Brooks & Dunn. It was originally recorded by the country group Asleep At The Wheel, but Brooks & Dunn did it themselves when it got its own line dance.
Freddie Mercury considered "We Are The Champions" his version of "My Way." "We have made it, and it certainly wasn't easy," he said.
The '40s hit "Rum and Coca-Cola" is really about American soldiers soliciting prostitutes in Trinidad.
The first release of "The Sound Of Silence" was acoustic, and went nowhere. It became Simon & Garfunkel's first hit when a producer at their label overdubbed it with electric instruments.
The 5-octave voice of the classical rock band Renaissance, Annie is big on creative expression. In this talk, she covers Roy Wood, the history of the band, and where all the money went in the '70s.
Oliver Leiber talks about writing and producing hits for Paula Abdul, and explains his complicated relationship with his father, the songwriter Jerry Leiber.
Medley looks back on "Unchained Melody" and "You've Lost That Lovin' Feelin'" - his huge hits from the '60s that were later revived in movies.
The Creed lead singer reveals the "ego and self-fulfillment" he now sees in one of the band's biggest hits.
Andrew Farriss on writing with Michael Hutchence, the stories behind "Mystify" and other INXS hits, and his country-flavored debut solo album.
The "Midnight At The Oasis" singer is an Old Time gal. She talks about her jug band beginnings and shares a Dylan story.