"Frankenstein" by Edgar Winter got its name because it was a monster to edit; they pieced it together like Frankenstein's monster.
The prom scene in Pretty in Pink was shot to "Don't You (Forget About Me)," but "If You Leave" was used in the film. That's why the dancers are out of time with the music.
"Ghosttown" was Madonna's 45th chart-topper on the Dance Club Songs chart, breaking the record for the most #1s an artist has tallied on a single Billboard chart.
When he met Delilah DiCrescenzo, Plain White T's lead singer Tom Higgenson told her he'd write a song about her, and came up with the first verse of "Hey There Delilah" on the spot.
Sarah McLachlan's "Possession" contains passages from letters a stalker sent her. He sued her for $250,000 and committed suicide before the trial.
The Oasis song "Live Forever" was written in response to "I Hate Myself And I Want To Die" by Nirvana. "Kids don't need to hear that nonsense," said Noel Gallagher.
The men of Sparks on their album Hippopotamus, and how Morrissey handled it when they suggested he lighten up.
Into the vaults for Bruce Pollock's 1984 conversation with the esteemed bluesman. Hooker talks about transforming a Tony Bennett classic and why you don't have to be sad and lonely to write the blues.
Faith No More's bassist, Billy Gould, chats to us about his two new experimental projects, The Talking Book and House of Hayduk, and also shares some stories from the FNM days.
Richard explains how Joe Walsh kickstarted his career, and why he chose Hazard, Nebraska for a hit.
Stone Temple Pilots bass player Robert DeLeo names the songs that have most connected with fans and tells the stories behind tracks from their Tiny Music album.
As a songwriter and producer, Narada had hits with Aretha Franklin, Whitney Houston, Mariah Carey and Starship. But what song does he feel had the greatest impact on his career?