Honky Tonk Women

Album: Through The Past Darkly (1969)
Charted: 1 1
  • I met a gin-soaked, bar-room queen in Memphis
    She tried to take me upstairs for a ride
    She had to heave me right across shoulder
    'Cause I just can't seem to drink you off my mind

    It's the honky tonk women
    Gimme, gimme, gimme the honky tonk blues

    I laid a divorcée in New York City
    I had to put up some kind of a fight
    The lady then she covered me with roses
    She blew my nose and then she blew my mind

    It's the honky tonk women
    Gimme, gimme, gimme the honky tonk blues
    It's the honky tonk women
    Gimme, gimme, gimme the honky tonk blues

    It's the honky tonk women
    Gimme, gimme, gimme the honky tonk blues Writer/s: KEITH RICHARDS, MICK JAGGER
    Publisher: Abkco Music, Inc.
    Lyrics licensed and provided by LyricFind

Comments: 56

  • Lou Swift from Chicago IllAll Mick Taylor claims of contributions I side with, very obvious that all music evolved during his membership was the group's real claim to fame
  • Robert D from DetroitYes I have heard that before - the line "I Laid a divorcee in New York City" was a direct connection to Mick Jagger and Linda McCartney. This was before she met Paul. (well actually she met him before this affair but they were not a couple yet) Linda was interviewing the Stones on a boat on the Hudson River. She admitted several times about sleeping with Jagger. See the Linda McCartney Story movie. Why people say he's singing about a prostitute, I have no idea where that came from.
  • Michael from StuttgartFrom “The Making of Let it Bleed” by Sean Egan:

    In 1970 Cooder said in Rolling Stone Magazine:
    „The Rolling Stones brought me to England under totally false pretences.
    They weren’t playing well and were just messing around the studio.
    When there’d be a lull in the so-called rehearsals, I’d start to play my guitar.
    Keith Richard would leave the room immediately and never return.“

    I thought he didn’t like me! But as I found out later the tapes would keep rolling……in the four or five weeks I was there I must have played everything I know.

    They got it all down on these tapes. Everything.

    Cooder also alleged that the riff of “Honky Tonk Women” was based on one of his progressions.
    “I heard those things he played – I was amazed”, Richards later said.
    “I learned a lot of things of a lot of people”.
    However, he did acknowledge that his decision to switch from a six-string to a five-string guitar style was picked up from Cooder.
  • Steve from NjOkay so I will answer my own question. I couldn't leave it alone and had to keep digging until I remembered and found the answers.
    It was an alternate second verse in the live version on get yer ya yas out..
    And I'm fairly sure that 4the line is
    But THEY just don't seem to sail you off my mind..
    ..
    And obviously.. They don't sail her off my mind either... Perhaps I can drink her off...
  • Steve from NjI posted from memory..
    Another site claims the following is right. I was close
    .

    Strollin' on the boulevards of Paris
    Naked as the day that I will die
    The sailors, they're so charming there in Paris
    But I just don't seem to sail you off my mind
  • Steve from NjWhat I want to know is where did the version with the 3rd verse (Paris) come in? And where did the verse come from?
    Was it cut earlier or added later and which album had the longer version?

    Strolling on the boulevards of Paris
    As naked as the day that I will die
    The sailors they're so Charming there in Paris
    but I just can't seem to sail you off my mind
  • Aiken Nutz from Tahlequah OkI love this Stones hit. Love their raunchy nasty songs! This hit the charts when I was a sex-starved GI in Vietnam (Bien Hoa) in summer '69. By December '69, a bunch of us guys took R&R together to Singapore & attended a huge Christmas Eve party where some Malaysian rock band tried to play Honky Tonk Women. They were way off-key & never got the lyrics right! The crowd began to fight & the cops came & arrested people-----and the band! What memories!
  • Moanin' Lisa from Chillicothe Mo.What a classic! What attitude! First time I heard it I was riding in my fiance's car in 2000. Never heard it before! Then I became a Stones fan----but only of their hits prior to 1980. Love the history behind this hit too. The Stones have proved that you don't have to quit rocking when you get old. If I ever make it to their ages now, I won't hang up my rocking shooz either! But you can bet, I'll still be MOANIN' and keeping them bedsprings a-moanin' too!! LOL!
  • Barry from Sauquoit, NyOn November 23rd 1969, a taped performance of the Rolling Stones performing "Gimme Shelter," "Love In Vain," & "Honky Tonk Woman" was aired on the CBS-TV program 'The Ed Sullivan Show'...
    Twenty-nine days earlier on October 25th was "Honky Tonk Woman's" last day on Billboard's Hot Top 100 chart; on August 17th, 1969 it had peaked at #1 {for 4 weeks}...
    "Gimme Shelter" and "Love In Vain" were tracks 1 and 2 respectfully from the bad boys' 10th American album, "Let It Bleed", and the album peaked at #3 on Billboard's Pop Albums chart {reached #1 on the United Kingdom's album chart}.
  • Barry from Sauquoit, NyOn July 13th 1969, "Honky Tonk Women" by the Rolling Stones it entered Billboard's Hot Top 100 chart at position #79; and on August 17th, 1969 it peaked at #1 (for 4 weeks) and spent 15 weeks on the Top 100 (and for 11 of those 15 weeks it was on the Top 10)...
    And on September 6th, 1969 it reached #1 (for 5 weeks) on the Australian Kent Music Report chart...
    The first three weeks it was at #1 on the Top 100 it prevented "A Boy Named Sue" by Johnny Cash from reaching #1, 'The Man in Black' was stuck at #2 for all three weeks....
    Tens days prior to it making the Top 100 original band member Brian Jones passed away on July 3rd, 1969 at the young age of 27...
    May he R.I.P.
  • Elmer H from Westville, OkStill love this Stones hit. When it was climbing the charts in '69, I was in the Army in Vietnam with the 11th Armored cavalry regiment and I swore that I'd buy the record, if I ever made it back to the States alive. I did and had to buy it on the album "Through The Past Darkly" since I could never find the single. That intro really captured my attention when I first heard it on AFVN radio in 'Nam. Brings back a lot of good and bad memories, but there's no doubt about it that it's one "tough" rockin' song!
  • Zero from Nowhere, NjAndrew from New York, that was very informative, especially about the tunings. I am a guitar player as well. It's interesting that you mentioned that open E minor tuning was very rare; when I was first learning to use a slide, I tried tuning it to that tuning, as opposed to open E major. I knew I wasn't the first to use that tuning, but I thought it was a cool idea. Maybe I'll try out those other tunings.
  • Dill from Alexandria, VaAhhhh...don't wanna hear it about Stones stealing someone's music. It's a free business, why do the Stones have hits and others are whining they got ripped off? The Stones knew good sounds. If you're such a genius-smarter-than-Keith-and-Mick, why don't you have a BIG string 'a hit tunes? The Stones had the ear, give 'em credit.
  • Oldpink from New Castle, InKiller song, with a great bluesy riff.
    I'm no real Stones fan, but this one will always get me to turn up the volume and listen all the way through.
    A true rock-n-roll classic.
  • Barry from Sauquoit, NyIn 1960 Johnny Cash charted with "Honky Tonk Girl" and Johnny Horton charted with "Honky Tonk Man" in 1962; but so far there's been no "Honky Tonk Boy"!!!!
  • Rick from Brooklyn, Ny, NyRy Cooder always felt that the Stones, who are the biggest "assimilators" of sound had ripped him off (add Cooder to Mary Ann Faithfull, Chuck Berry, old Stones guitarist Brian Taylor as among the many musicians who felt their sound had been stolen by the band.
  • Jason from Arlington, VaFirstly, Andrew...wow. That's about all I can say. Your technical knowledge is obviously on a different level.

    The only fact I can add to this conversation is that Gram Parsons and Keith hooked up after Gram quit the Byrds during an international tour. The Byrds were going from London to South Africa and Gram quit the band as a protest against Apartheid. (Though if Gram left the band actually due to politics is up for debate). So Gram, Mick and Keith started hanging out and (so the story goes) Keith introduced Gram to heroin.
  • David from Orlando, FlI recently read the new book out entitled "What would Keith Richards Do". In it, there is a quote attributed directly to Keith in which he freely admits that Ry Cooder came up with the licks for Honky Tonk Women.
  • Greg from Potown, NyAs to whether the central riff was stolen, listen to Ry Cooder's work, then listen to the Stones prior to Honky Tonk Woman, there can be no doubt that Keith Richards purloined the sirloin.
  • Chris from San Diego, Cahey pikadon, the lyrics are actually "I met a gin-soaked, bar-room queen in Memphis" if im not mistaken
  • Pikadon from Haleiwa, HiThe lyrics go, "I met a jinsofarra queen in Memphis." What's a jinsofarra queen?
  • Chloe from St. Louis, Mojoe- that doesn't make very much sense to me. as far as I know, she wasn't a prostitute, and paul hadn't been divorced yet...maybe?
  • Joe from Adelaide,"i laid a divorcee in n y city"rumoured to be about Linda Macartney...true or false?
  • David from Orlando, FlFollowing up on the comment from Mike in Berkeley, Ry Cooder has long bitterly claimed that Keith "nicked" (slang for "stole") the defining riffs from him. I suspect that Keith disputes the claim, but don't think I have ever heard him address it directly. The opening lick, which most cover bands butcher through some standard tuning knock off, is one that Keith himself has almost never attempted to faithfully reproduce lick for lick in live concert, although he does play the song in the open tuning. Perhaps this is due to the fact that, like many of the Stone's concert staples, the tempo has to be played much faster to carry it as a live tune--Brown Sugar being another classic example.
  • John from Blackburn Under Sea, United KingdomI have a copy of the single on blue Decca (boxed) label that has the title Honky Tonk Woman, not Women. I have been unable to find any mention or reference to this despite searching dozens of Stones related sites. Have I found the Holy Grail or what?!!
    Any info would be greatly appreciated and I can be contacted via oldgitsuk at dsl dot pipex dot com.
    Cheers.
    John.

    Asking me to choose a favourite song is like asking me which of my children I love the most.
  • Susan from Toronto, CanadaSomething tells me "she blew my nose" was a little different in the rough draft! Incidentally, Sugar Ray's song DISASTERPIECE is about as close as a song could get to HONKY TONK WOMEN without a copyright infringement lawsuit being launched!
  • Juan from Buenos Aires, ArgentinaI disagree with Mike California."Honky Tonk Women " , I think, is pretty different to "She Caught the Katy" .
  • Bertrand from Paris, FranceFrom the opening lone cowbell to the flip's impossibly beatific conclusion, this single proved that under those wicked street-punk hearts lay some wickedly fine storytellers. The first side (Honky Tonk Women) is a seedy painting of backdoor Americana, while the second (You Can't Always Get What You Want) is a generational epic that rogueishly uses a heavenly choir to suggest that there are no real answers. Both songs, if you listen carefully, end up saying the same thing.
  • AnonymousIt seems that nobody here mentioned magnificent Charlie Watts and his minimalistic performance on drums. Dejan, Belgrade, Serbia.
  • Andrew from New York, United StatesOne more thing- this song, which incidentally was covered by Gram Parsons with his band The Flying Burrito Brothers, is also available on the Stones' 1970 live album, "Get Yer Ya-Ya's Out", complete with an additional verse not on the studio version:
    "Strolling on the boulevards of Paris, as naked as the day that I will die/The sailors, they're so charming there in Paris/But they just don't seem to send you off my mind" [as best as I can decipher them]

    The vaguely Gay lyrics are interesting, considering the times...[I bet I just started a firestorm!]
  • Andrew from New York, United StatesAlso, I just had to say: how can you say this song, which in its acoustic version was called "Country HONK", not "Country TONK" as was stated, was derived from Hank Williams' "Honky Tonk Blues"?? The songs are NOTHING alike!! Except for the title...while the Stones were definitely fans of Hank -- Keith, Mick, and Gram Parsons were known to sit drunk around the piano and sing Hank's song "I Heard that Lonesone Whistle Blow" -- and the Country version was influenced by Hank (every Country song written since Hank burst onto the scene has been influenced by him and his brilliance, it's unavoidable), to say that the song was influenced by, or based on, "Honky Tonk Blues" is misguided at best, and just flat-out wrong. I'll get off my soap-box now...
  • Andrew from New York, United StatesTo clear up a few misguided comments on this song: Brian Jones NEVER played on this song.
    This song did indeed start out in its acoustic version, as heard on "Let It Bleed". Then, Keith says, "Mick Taylor bounced the song off the wall another way and it took a completely different direction." [The quote is from memory, so it's not exact.] I can just about guarantee, though, that the main riff is Keith all the way. Mick Taylor simply does not play like that. He is strictly a lead guitar player. A great lead player, but not a rhythm player, whereas Keith does both very well. Mick T. influenced the change in style of the song, but the part Keith plays is all Keith.
    This song is Keith's first venture into the Open-G guitar tuning that would become his signature. He had previously used Open-D on songs like "Street Fighting Man" and "Jumpin' Jack Flash" (tuned up a half-step to E flat for "Flash"), but as a result of playing with Ry Cooder on the "Let it Bleed" album, had begun playing in Ry's favorite tuning, Open-G. Open-G was also used a lot by Delta Blues guitarists like Robert Johnson, Son House, Charley Patton, and Skip James (who also used the unusual Open-Em tuning). Keith was certainly aware of the Delta Blues connection, as he had been listening to the above-mentioned artists for years at that point; when he heard Ry using it, that was the "final straw" that led him to try it. For the record, Open-G is tuned low to high: D G D G B D, although Keith often removes the 6th string from the guitar because it is not the tonic note (it's actually the 5th), and he wants the lowest string to be the tonic (G, if you're playing a G chord).
    You arrive at the tuning from standard guitar tuning by dropping the 2 E strings the equivalent of 2 frets - you can check them against the open 4th string for comparison. Then you drop the 5th (A) string 2 frets, and you're done. You can check it against the open 3rd string, or against the now-down-tuned 6th string fretted at the 5th fret.
    Keith uses this tuning, either open, or capoed at the 4th fret("Happy", "Tumbling Dice") or 5th fret ("You Can't Always Get What You Want") for almost all of the Stones' late-60's-and-on classics. Here are a few, without the capo: "Start Me Up", "Brown Sugar", "Can't You Hear Me Knockin'", "Before They Make Me Run", "If You Can't Rock Me", "Sad Sad Sad" (although the first G-tuned guitar you hear is Mick Jagger[!], who learned the tuning from Keith), "Mixed Emotions", "Love is Strong", "You Got Me Rockin' Now", and on and on... He also uses the tuning extensively on his solo records: "Take It So Hard", "Eileen", "Struggle", "Wicked As It Seems", etc.
    I'll stop now... ;-)
  • Dave from Scottsdale, AzTHE BEST rock and roll song ever recorded!!
  • Anna from Copenhagen, DenmarkThis song is about coke or drugs in general, "I just can't seem to drink her off my mind...She blew my nose and then she blew my mind.. giv me the honky tonk blues"
  • Joshua from Chico, CaThe show Cowboy Bebop uses other classic rock songs as inspiration. Such as Rolling Stones and Guns n Roses. The movie was originally called "Cowboy Bebop Knocking on Heaven's Door".
  • Johnny from Los Angeles, CaWow I never actually heard and understood that line, Clarke from Pittsburgh. And as I read your comment I just heard it.
  • Clarke from Pittsburgh, PaThe line "I laid a divorcee in New York City" was too risque for some in 1969, and it was printed by some radio stations and "teen" magazines as "I later did the same in New York City," even though it's obvious even with casual listening that this isn't quite what they were singing.
  • Olle from Stockholm, SwedenFunny about what Jay said, because that inspired me to play drums too! (that and Ringo Starr's Solo on "The End")
  • Jay from Atlanta, GaThat cowbell and drum lick intro is what inspired me to play drums. That and the into to "Hard to Handle" by the Black Crows.
  • Homero from Monterrey , MexicoI went to the Monterrey,MÃ?xico concert and it s amazing the way they played this song even with a Charlie s mistake at the beginning of the song when he started untime. Keith and Mick looked to Charly then he took the way again. Its wonderful even to aprecciate this mistakes....Great band.
  • Johnny from Los Angeles, CaI just wasted about an hour on the songfacts forums, and I realize how stupid I was for doing so, and I was ina bad mood. But I started listening to the Rolling Stones, and now I feel happy again. Go Stones!=)
  • Sam from Shanghai, ChinaAlbert King, Free, and Leslie West all due a version of this
  • John from Westport, CtThe Rolling Stones' 'Honky Tonk Women' is the Best Rock & Roll song ever created. Period.
    - John Bryans Fontaine, CT
  • Maya from Cal, United Statessugar sugar is sick- just download the song to see how bad a song can get
  • Claire from St. Louis, Molove singing this one. another great vocal by mick. god love him...and the rest of course.
  • Leya Qwest from Anchorage, AkYou wanna talk about another awesome chick song that kicks royal ass, well then, get a load of this. It was "Sugar Sugar" by The Archies that knocked HTW out of the US #1 spot. In fact, SS went on to become THE #1 song of 1969, beating out not only The Stones, but also The Beatles, The Jackson 5, Elvis, Bowie and Stevie Wonder. BTW, SS stayed at the UK #1 spot for 8 weeks. Yikes!
  • Elliott from Douglassville, PaThis was the last song The Stones recorded with Brian Jones and the first with Mick Taylor. While the song was in progress, Mick Jagger and Keith Richards informed Jones that he was being sacked. Around the same time, the other Stones were playing this song in an audition for Taylor disguised as a genuine recording session; Taylor at the time thought he'd only be playing as a guest on the song, before the rest of the band broke it to him that they wanted him in the band. Soon afterward, Taylor replaced Jones' guitar part.
  • Alix from Pittsburg, Cathe title kind of mean the same thing in the episode honkey tonk woman. bebop fan right here, that anime has the best music on it, but i like the real folk blues
  • João from São Paulo, BrazilAdam, "Cowboy Bebop", which is for sure the best animated series ever, indeed named one of the episodes after this song, in case you didn't notice, every episode of "Cowboy Bebop" is named after a song!
    And by the way, you definitely should look for a copy (at Kazaa) of a video named "Paint It Black", made by "Cowboy Bebop" fans.
  • Charlie from Thomaston, Dca japanese anime called cowboy bebop?! you talk like it's a little known small time series, its a GREAT SHOW! any other bebop fans here?
  • Mia from Elk River, MnOne of my favourite driving songs!
  • Mike from Berkeley, CaKeith Richard spent two weeks secretly taping Ry Cooder after they invited him to play on the recording session for "Let it Bleed". Cooder thought he was going to play with the Stones. Keith excused himself for whatever reason, went into another room and turned the tape on. Ry said at the time they'd taped everything he knew. Shortly before this, Ry played in The Rising Sons with Taj Mahal. Taj wrote "She Caught the Katy and Left Me a Mule to Ride", which sounds CURIOUSLY like this and I think this is actually where they got the idea.
  • Adam from Camas, WaA Japanese Anime called Cowboy Bebop has the same title of a episode. I don't know if there's any actual conection though.
  • Edward from Miami, FlI thought it was about meeting a transvestite in a bar. Hence- "gin-soaked barroom queen...heeved me across her shoulder" shows that this is one strong dude.
  • Chelsea from Nyc, OrThe single 45 had a very elaborate photo of the band dressed up as sailors and policemen in a barroom with two hookers.
  • Kris from Toronto, CanadaIke & Tina Turner covered this song amazingly
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