
The chorus in "September" by Earth, Wind & Fire is "Bada-Ya, dancing in September." Group leader Maurice White left it "Bada-Ya" instead of a real word because he never let a lyric get in the way of a groove.

"Human" by The Killers was the most streamed song on Spotify in 2008, the year that the music streaming service was launched.

On Missy Elliott's "Work It," the backward vocal is the previous line, "Put my thing down, flip it, and reverse it," in reverse. She stumbled on it when the engineer played it backward by mistake.

Ellie Goulding's hit single "Burn" was originally demoed by Leona Lewis for her 2011 Glassheart album. She scrapped the tune when the project was retooled to include more ballads.

When Metallica performed in China in 2013, they weren't allowed to play "Master Of Puppets," probably because the theme of being controlled by a higher authority didn't sit well with the Chinese government.

The Queen song "Killer Queen," according to lead singer Freddie Mercury, is about a high-class call girl.
Rufus Wainwright on "Hallelujah," his album Unfollow The Rules, and getting into his "lyric trance" on 12-hour walks.
Faith No More's bassist, Billy Gould, chats to us about his two new experimental projects, The Talking Book and House of Hayduk, and also shares some stories from the FNM days.
Collaborating with T Bone Burnett, Leslie Phillips changed her name and left her Christian label behind - Robert Plant, who recorded one of her songs on Raising Sand, is a fan.
The Kiss rocker covers a lot of ground in this interview, including why there are no Kiss collaborations, and why the Rock Hall has "become a sham."
The singer/bassist for Concrete Blonde talks about how her songs come from clairvoyance, and takes us through the making of their hit "Joey."