The line "satellite of love" in the Def Leppard song "Rocket" came from the title of a 1972 Lou Reed song.
David Bowie's "Heroes" was about his producer Tony Visconti and his girlfriend, but Bowie didn't admit this until the '00s, since Visconti was married at the time.
"In-A-Gadda-Da-Vida" was supposed to be titled "In The Garden Of Eden," but someone in the studio wrote down the title phonetically, and it stuck.
Otis Redding often ad-libbed vocals at the end of songs, but for "(Sittin' On) The Dock Of The Bay" he just whistled instead - it became the most famous whistling in song history.
The first Huey Lewis & the News hit, "Do You Believe In Love?," is a cover of a song Mutt Lange wrote three years earlier called "We Both Believe In Love."
Cyndi Lauper came up with the title "Time After Time" when she saw it in TV Guide magazine. It's the name of a 1979 movie about a man who invents a time machine.
Bridesmaids, Reservoir Dogs, Willy Wonka - just a few of the flicks where characters discuss specific songs, sometimes as a prelude to murder.
Do their first three albums have French titles? Is "De Do Do Do, De Da Da Da" really meaningless? See if you can tell in this Fact or Fiction.
An interview with Frankie Valli, who talks about why his songs - both solo and with The Four Seasons - have endured, and reflects on his time as Rusty Millio on The Sopranos.
For songwriters, Johnny represents the American man. He has been angry, cool, magic, a rebel and, of course, marching home.
Kevin Godley talks about directing classic videos for The Police, U2 and Duran Duran, and discusses song and videos he made with 10cc and Godley & Creme.
Wes Edwards takes us behind the scenes of videos he shot for Jason Aldean, Dierks Bentley and Chase Bryant. The train was real - the airplane was not.
