The Bryan Adams song "(Everything I Do) I Do It For You" was almost rejected for the movie Robin Hood: Prince Of Thieves because it didn't sound medieval enough.
"Frankenstein" by Edgar Winter got its name because it was a monster to edit; they pieced it together like Frankenstein's monster.
Richard Marx' debut single "Don't Mean Nothing" features Joe Walsh on guitar.
"Instant Karma" is one of John Lennon's most hopeful songs, written and recorded in one day at a time when he felt people were pulling together in a positive direction.
Otis Redding often ad-libbed vocals at the end of songs, but for "(Sittin' On) The Dock Of The Bay" he just whistled instead - it became the most famous whistling in song history.
Phil Collins' "Take Me Home" is about a patient in a mental institution and was inspired by the novel One Flew Over the Cuckoo's Nest.
The British reggae legend tells the story of his #1 hit "Close To You," talks about his groundbreaking Shabba Ranks collaboration "Housecall," and discusses his latest project with Robin Trower.
A look at the good (Diana Ross, Eminem), the bad (Madonna, Bob Dylan) and the peculiar (David Bowie, Michael Jackson) film debuts of superstar singers.
Faith No More's bassist, Billy Gould, chats to us about his two new experimental projects, The Talking Book and House of Hayduk, and also shares some stories from the FNM days.
Graham Nash tells the stories behind some of his famous songs and photos, and is asked about "yacht rock" for the first time.
A drummer for one of the most successful metal bands of the last decade, Chris talks about what it's like writing and performing with Slipknot. Metal-neck is a factor.
Harry Wayne Casey tells the stories behind KC and The Sunshine Band hits like "Get Down Tonight," "That's The Way (I Like It)," and "Give It Up."
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