This is a track from Leveler
, the fourth studio album by American metalcore band August Burns Red. It was the second song that guitarist / primary songwriter JB Brubaker wrote for the record. He told AntiMusic
: "I didn't set out to write a mariachi inspired metal song. It just sort of happened. The first minute or so came very naturally to me and sounded like a typical August Burns Red song. It had a thrashy intro, a big breakdown, and a lot of riffing going on. What threw the song for a loop was the key change that occurs right before the first clean section. It changes into a key ABR has never played in before and as a result, it just sounded different. I couldn't just go into a heavy open C breakdown because of the key the song had changed to. We have key changes in a lot of our songs, but they are never on purpose. They are simply a result of where the guitars happen to go. I wish I had a better explanation for this, but as a writer who has very little knowledge of music theory I can't explain why. Upon changing keys the song goes into what I like to call the "cruise ship" part. It's a light beachy sounding section that sounds nothing like anything ABR has ever played before. Matt (our drummer) recorded all kinds of percussion instruments over the section and I play a little guitar lead that a hula dancer could shake her hips to. It was at this point that I knew this song was going in strange places and I liked it.
After the cruise ship section the song rips back into a thrashy metal riff that doesn't sound out of the ordinary in the least, but things get weird immediately after. The song does a complete 180 as everything drops out except a simple quiet clean guitar line that has a distinctive mariachi vibe. While recording this part our producer, Jason Suecof, described it as something straight out of a Quentin Tarantino film. This mariachi esque section is one of my favorite moments on the entire album because of how off the wall it is. The quiet mariachi section is followed by a long guitar solo that I've been told sounds like Carlos Santana gone metal. It's my favorite solo that I've ever written and I remember sitting in my room for hours working on it. My fingers were getting shredded from bending my strings so much which is something I hadn't done much of in the past. I had an absolute blast writing that guitar solo."