The New Style

Album: Licensed to Ill (1986)
Play Video

Songfacts®:

  • Gotta give these (Beastie) boys credit: They did come up with a new style, even if it was based on what their labelmates Run-DMC were up to.

    Both groups were signed to Def Jam records and produced by label owner Rick Rubin. Run-DMC pioneered a flow where their two MCs (Run and DMC) would trade lines back and forth, bucking the convention of each rapper getting a full verse. Their DJ, Jam Master Jay, would use samples, but would typically keep the same loop going throughout the song. Beastie Boys cribbed Run DMC's vocal delivery, but had three MCs to trade off lines. And instead of working one sample as the main beat throughout a song, they would throw in a compost pile of shifting sounds, changing the beat with impunity. It was indeed a new style, made possible by their rampant sampling at a time when the legal issues over clearing samples hadn't been sorted out.
  • Beastie Boy Mike D called this song "a fantasy version of our actual lives." They really were hanging out, making music and drinking beer, but they weren't armed or dangerous.
  • "The New Style" was released as a single in November 1986 around the same time the group's debut album, Licensed To Ill, was issued. Two singles from the album had already been released: "Hold It Now, Hit It" and "Paul Revere." Reaction was positive, and it looked like the group was on their way to landing a Gold record, a huge leap forward, as their previous singles were mostly played in clubs and hadn't sold very well. But then their jokey afterthought song "(You Gotta) Fight for Your Right (to Party)" was released as the next single, and they suddenly went big-time. Soon, they were a headline act and all over MTV. The album went to #1 in America, where it sold a staggering 10 million copies, the equivalent of 20 Gold records.
  • The "there it is vocal" is a sample from "Peter Piper" from Run-DMC. Other samples include:

    "Drop The Bomb" by Trouble Funk (1982)
    "Kool Is Back" by Funk, Inc. (1971)
    "Two, Three, Break" by The B-Boys (1983)
  • The Beastie Boys would sample anything that moved, including themselves. The "mmm, drop" line in this song they recycled for their 1998 track "Intergalactic." The Pharcyde also used it, making it the bedrock of their 1995 song "Drop."
  • In the Beastie Boys Book, Mike D explained: "'The New Style' has a combination of scratches and beats that make the hook. We started making these songs that had no specific connection between the content of the verses and choruses, and I guess we accidentally did end up with a new style."

Comments: 1

  • Moosehead from Scthe twins father had AIDS, not envy
see more comments

Editor's Picks

Gary Lewis

Gary LewisSongwriter Interviews

Gary Lewis and the Playboys had seven Top 10 hits despite competition from The Beatles. Gary talks about the hits, his famous father, and getting drafted.

Facebook, Bromance and Email - The First Songs To Use New Words

Facebook, Bromance and Email - The First Songs To Use New WordsSong Writing

Where words like "email," "thirsty," "Twitter" and "gangsta" first showed up in songs, and which songs popularized them.

La La Brooks of The Crystals

La La Brooks of The CrystalsSong Writing

The lead singer on "Da Doo Ron Ron" and "Then He Kissed Me," La La explains how and why Phil Spector replaced The Crystals with Darlene Love on "He's A Rebel."

Joe Ely

Joe ElySongwriter Interviews

The renown Texas songwriter has been at it for 40 years, with tales to tell about The Flatlanders and The Clash - that's Joe's Tex-Mex on "Should I Stay or Should I Go?"

Melanie

MelanieSongwriter Interviews

The singer-songwriter Melanie talks about her spiritual awakening at Woodstock, "Brand New Key," and why songwriting is an art, not a craft.

John Parr

John ParrSongwriter Interviews

John tells the "St. Elmo's Fire (Man In Motion)" story and explains why he disappeared for so long.