Back Street Kids

Album: Technical Ecstacy (1976)
Play Video

Songfacts®:

  • In "Back Street Kids," Black Sabbath frontman Ozzy Osbourne wasn't being metaphorical when he sang "seems that now my music's paying off my tax demands." At 28 years old, feeling uninspired, disappointed, and betrayed, he was trying to dig himself out of a big financial hole he hadn't dug. In that moment of desperation, he found himself looking back to his roots.

    Black Sabbath formed from four working-class kids in the Aston area of Birmingham, England. Osbourne felt hopeless and aimless until the night he heard "She Loves You" by the Beatles. In that moment he devoted himself to rock and roll as his way out. Sabbath's self-titled debut album was scorched by critics but beloved by fans, and the band shot into stardom. They followed it with one success after another. Then, around the 1973 recording of their fifth studio album, Sabbath Bloody Sabbath, they discovered that their manager Patrick Meehan had received $250,000 for the band's Cal Jam performance but only paid the bandmembers $1,000 each. This led to the discovery that Meehan had maneuvered things so that he legally owned the majority of the band's property. The fallout from the scam is captured on Sabotage, the band's sixth studio album and the one preceding Technical Ecstasy, on which "Back Street Kids" appears.

    For the next couple years, Osbourne said, "We were working on the road to pay lawyers' fees to keep the lawsuit going against the manager who was ripping us off. And I just said, 'Hey, man, well I didn't get involved in this to be a damn lawyer.'"

    After months of legal meetings and courtroom appearances, the band tried to get back to business. They wanted to reinvent themselves, to get away from their doom-and-gloom image and to follow modern trends. Osbourne wasn't happy about it. He didn't understand why Sabbath would take direction from the bands they themselves had once inspired. Feeling artistically frustrated on top of financially drained, he was already thinking about leaving the band, which he did less than two years later.

    Through all the doubts, Osbourne found his anchor in the one constant that had been steady throughout his life: rock and roll.

    Seems that now my music's paying off my tax demands
    So listen to the music, want to see you get so high
    'Cause I'm a back street rocker and I will be till the day I die
    Nobody I know is gonna take my rock 'n roll away from me


    There was no way for Osbourne to know where his life was going in 1976. From our historical vantage point, we can see "Back Street Kids" as a pivotal moment in his story. After an old dream had soured and things looked tired and bleak, Osbourne looked to his roots. He chose to stick with the rock and roll muse, as he would until the day he died in 2025 at 76.
  • "Back Street Kids" is the opening track on Technical Ecstasy, Black Sabbath's seventh studio album. Bassist Geezer Butler said the album was a response to punk music. Some journalists, notably Michael Hann, challenged that claim because punk had yet to really take off at that point. But in a 2021 interview with Ultimate Classic Rock, drummer Bill Ward backed Butler's sentiment, stating that Technical Ecstasy showed Sabbath's punk credentials.
  • In 2021, English musician Steven Wilson (of Porcupine Tree) remixed "Back Street Kids" from the original analog tapes and remixed the song. Sanctuary Records released it in promotion of the Super Deluxe Edition of the Technical Ecstasy re-release (the single is also included in the collection).
  • "Back Street Kids" was released as a single in France. It was also the B-side to the Philippines' version of the "It's Alright" single (the US version had a different version of "It's Alright" as the B-side).

Comments

Be the first to comment...

Editor's Picks

Bass Player Scott Edwards

Bass Player Scott EdwardsSong Writing

Scott was Stevie Wonder's bass player before becoming a top session player. Hits he played on include "I Will Survive," "Being With You" and "Sara Smile."

Jon Oliva of Trans-Siberian Orchestra

Jon Oliva of Trans-Siberian OrchestraSongwriter Interviews

Writing great prog metal isn't easy, especially when it's for 60 musicians.

How "A Rolling Stone Gathers No Moss" Became Rock's Top Proverb

How "A Rolling Stone Gathers No Moss" Became Rock's Top ProverbSong Writing

How a country weeper and a blues number made "rolling stone" the most popular phrase in rock.

Jesus In Pop Hits: The Gospel Songs That Went Mainstream

Jesus In Pop Hits: The Gospel Songs That Went MainstreamSong Writing

These overtly religious songs crossed over to the pop charts, despite resistance from fans, and in many cases, churches.

Van Dyke Parks

Van Dyke ParksSongwriter Interviews

U2, Carly Simon, Joanna Newsom, Brian Wilson and Fiona Apple have all gone to Van Dyke Parks to make their songs exceptional.

Rick Astley

Rick AstleySongwriter Interviews

Rick Astley on "Never Gonna Give You Up," "Cry For Help," and his remarkable resurgence that gave him another #1 UK album.