Paul McCartney based the "Eleanor Rigby" story on old ladies he met at his housing estate. He saw how sometimes when they died, nobody really noticed.
The Kate Bush song "Why Should I Love You?" is a collaboration with Prince. He completely re-worked her demo, so Bush spent a lot of time piecing it back together to keep her imprint.
Elton John's "Crocodile Rock" borrows a bit from Don McLean's "American Pie." Both songs feature a Chevy, and are about young people who are heartbroken when their music "dies."
Before recording "Boom Clap" herself, Charli XCX offered the song to Hilary Duff. However, the singer's people turned down the tune declaring it wasn't "cool enough for Hilary."
Wang Chung's '80s classic "Dance Hall Days" is about how things can start simple but end up complex. First you "take your baby by the hand," but by the end she has an amethyst in her mouth.
Al Gore chose an inspiring but obscure campaign song when he ran for president in 2000: "Let The Day Begin" by The Call.
With $50 and a glue stick, Bruce Pavitt created Sub Pop, a fanzine-turned-label that gave the world Nirvana and grunge. He explains how motivated individuals can shift culture.
Webb talks about his classic songs "By the Time I Get to Phoenix," "Wichita Lineman" and "MacArthur Park."
Steppenwolf frontman John Kay talks about "Magic Carpet Ride," "Born To Be Wild," and what he values more than awards and accolades.
When Dave recorded the first version of the song with his group the Blasters, producer Nick Lowe gave him some life-changing advice.
When you have a song called "Fire," it's tempting to set one - these guys did.
Our chat with Barney Hoskyns, who covers the wild years of Woodstock - the town, not the festival - in his book Small Town Talk.
