Arizona DJ Guy Zapoleon played UB40's "Red Red Wine" four years after it was released as part of a feature on songs that should have been hits. Listeners started requesting the tune and within weeks it was topping the Hot 100.
"Tammy" by Debbie Reynolds was the only US #1 single by a female act between July 1956 and February 1958.
"Wanted Dead Or Alive" by Bon Jovi got the Unplugged craze going when Jon Bon Jovi and Richie Sambora performed it with just their acoustic guitars at the 1989 MTV Video Music Awards.
"Oh Happy Day" was recorded in a church and sold to raise money for the choir. It's the only genuine gospel song to become a pop hit.
Only one Oasis song reached the top 10 of Billboard's Hot 100. "Wonderwall" peaked at #8 in 1996.
"Do You Really Want To Hurt Me?" was written by Boy George about his relationship with Culture Club's drummer Jon Moss.
The Kiss rocker covers a lot of ground in this interview, including why there are no Kiss collaborations, and why the Rock Hall has "become a sham."
Pete produced Dwight Yoakam, Michelle Shocked, Meat Puppets, and a very memorable track for Roy Orbison.
Songs that seem to glorify violence against women are often misinterpreted - but not always.
Lita talks about how they wrote songs in The Runaways, and how she feels about her biggest hit being written by somebody else.
Ian talks about his 3 or 4 blatant attempts to write a pop song, and also the ones he most connected with, including "Locomotive Breath."
