Oh! How I Hate To Get Up In The Morning

Album: Yip-Yip-Yaphank (1918)
Play Video

Songfacts®:

  • Irving Berlin wrote this song in 1918 after he was recruited into the US Army. He never saw action but was posted to Camp Upton at Yaphank in New York, where he did what he did best, though this time for the war effort. As might be expected, this is a somewhat humorous song extolling the virtues of army life but for the early rises.
  • "Oh! How I Hate To Get Up In The Morning" was originally subtitled "Irving Berlin's Bugle Song", and was introduced by Eddie Cantor in The Ziegfeld Follies. It was also used in Yip-Yip-Yaphank, the revue Berlin wrote while based at Camp Upton, and was sung by Berlin himself in This Is The Army, the musical/film he scored for the Army during the Second World War. >>
    Suggestion credit:
    Alexander Baron - London, England, for above 2

Comments

Be the first to comment...

Editor's Picks

Tony Iommi of Black Sabbath, Heaven And Hell

Tony Iommi of Black Sabbath, Heaven And HellSongwriter Interviews

Guitarist Tony Iommi on the "Iron Man" riff, the definitive Black Sabbath song, and how Ozzy and Dio compared as songwriters.

Devo

DevoSongwriter Interviews

Devo founders Mark Mothersbaugh and Jerry Casale take us into their world of subversive performance art. They may be right about the De-Evoloution thing.

Joe Jackson

Joe JacksonSongwriter Interviews

Joe talks about the challenges of of making a Duke Ellington tribute album, and tells the stories behind some of his hits.

Jason Newsted (ex-Metallica)

Jason Newsted (ex-Metallica)Songwriter Interviews

The former Metallica bassist talks about his first time writing a song with James Hetfield, and how a hand-me-down iPad has changed his songwriting.

Dave Alvin - "4th Of July"

Dave Alvin - "4th Of July"They're Playing My Song

When Dave recorded the first version of the song with his group the Blasters, producer Nick Lowe gave him some life-changing advice.

Amy Lee of Evanescence

Amy Lee of EvanescenceSongwriter Interviews

The Evanescence frontwoman on the songs that have shifted meaning and her foray into kids' music.