
The Goo Goo Dolls got the title for their song "Iris" from a country singer named Iris DeMent. The word doesn't show up in the lyric; lead singer Johnny Rzeznik said he was "trying to be pretentious and arty by calling it that."

"Bittersweet Symphony" by The Verve samples an obscure orchestral arrangement of the 1965 Rolling Stones song "The Last Time." The Verve had to sign away most of the royalties before they could release the song.

Train's guitarist had to Google an instructional video to learn how to play the ukulele for "Hey Soul Sister."

Lou Reed's 11-minute "Street Hassle" features a spoken part by Bruce Springsteen.

The B-52's chose the location of their song "Private Idaho" because the state has a reputation for being wacky and mysterious. The title is a play on the phrase "private eye."

Sting wrote "Every Breath You Take" at the same desk in Jamaica where Ian Fleming wrote his James Bond novels.
A look at the good (Diana Ross, Eminem), the bad (Madonna, Bob Dylan) and the peculiar (David Bowie, Michael Jackson) film debuts of superstar singers.
With the band in danger of being dropped from their label, Alice Cooper drummer Neal Smith co-wrote the song that started their trek from horror show curiosity to the Rock and Roll Hall of Fame.
We've heard of artists putting their hearts into their music, but some take it literally.
Long before Eminem, Justin Bieber and Nicki Minaj created alternate personas, David Bowie, Bono, Joni Mitchell and even Hank Williams took on characters.
Rick has a surprising dark side, a strong feminine side and, in a certain TV show, a naked backside. But he still hasn't found Jessie's Girl.
A talk with Martin Popoff about his latest book on Rush and how he assessed the thousands of albums he reviewed.