In 1979, Madonna was a dancer on Patrick Hernandez' tour, where she boogied to his hit "Born To Be Alive."
Jay-Z did the rap on Beyoncé's "Crazy In Love" at the last minute. They had just started dating; she asked him to feature on the track the night before she had to turn in her album.
Sly & the Family Stone's "Thank You (Falettinme Be Mice Elf Agin)" was a huge hit in 1970 and found new life when Janet Jackson sampled the bass riff on her 1989 hit "Rhythm Nation."
Meghan Trainor wrote "Lips Are Movin" in just eight minutes with her writing partner Kevin Kadish.
Miguel wrote "Adorn" about his girlfriend, the model and artist Nazanin Mandi, when he was returning home from a long trip and was anxious to see her.
Outrageously gifted and just plain outrageous, Millie is an R&B and Rap innovator.
Starting in Virginia City, Nevada and rippling out to the Haight-Ashbury, LSD reshaped popular music.
Brian has unearthed outtakes by Fleetwood Mac, Aretha Franklin, Elvis Costello and hundreds of other artists for reissues. Here's how he does it.
Daniel Lanois on his album Heavy Sun, and the inside stories of songs he produced for U2, Peter Gabriel, and Bob Dylan.
In this talk from the '80s, the Kansas frontman talks turning to God and writing "Dust In The Wind."
Into the vaults for this talk with Bolton from the '80s when he was a focused on writing songs for other artists.
