Pop Singer

Album: Big Daddy (1989)
Charted: 93 15
Play Video

Songfacts®:

  • "The most crucial thing for me is that I want it to be real."

    That's what Mellencamp told Creem magazine in 1987. Two years later, he released a song about it. In "Pop Singer," he explains that the music is what is important to him, and that he has no use for the gladhanding, trend-following or fan interaction that is expected of pop stars.

    Mellencamp wasn't always so "real" - his manager had him use the stage name "Johnny Cougar," which took him years to reverse. He soon took control of his career, however, and did things on his terms. Any part of the job that isn't related to making or performing music is something Mellencamp avoids. He will begrudgingly do promotion, but refuses corporate music traditions like radio station concerts and meet-and-greets. This stance didn't endear him to industry types, but many fans found his candor refreshing and appreciated his authenticity and devotion to his craft.
  • When he wrote this song, Mellencamp was going through a divorce with his second wife, Victoria Granucci. "I was questioning the importance of music," he told Rolling Stone. "Everybody was having to kiss everybody's ass. If you want to be on MTV, then come here and do this. All these backroom deals were getting made. I was like, 'I don't want any part of this.'"
  • Mellencamp articulated his position in this song in his 2018 DVD Plain Spoken, where he explained that what he was after was a creative life away from his hometown of Seymour, Indiana. Had he become a painter, he would have been just as fulfilled, but when his demo got him a management deal, he was drawn toward music.

    "Everybody wanted to be a rock star in the '80s," he said. "Everybody but me."
  • This song runs just 2:46, which is appropriate, as hit pop songs tend to be short, in part so radio stations can play more of them.
  • Mellencamp considered himself a rock singer, but the boundaries between rock and pop got a little blurry over the years (like when Madonna gained entry in the Rock and Roll Hall of Fame). He explained the difference in a promotional interview from this period: "When I was growing up there was a big distinction between rock and pop. Rock was more immediate and had more to do with the artist, and pop music was, one guy would write the song, a different guy would sing it, and a different guy would produce it. It wasn't anything real, it was just something to entertain us for the moment. All I was saying with 'Pop Singer' is, 'Is that what we want? Something cheap and superficial?'"
  • That's Mellencamp's daughter Teddi he's hugging on the Big Daddy album cover. His younger daughter, Justice, was the first choice, but she was crying and didn't cooperate during the shoot. Teddi later starred on Real Housewives of Beverly Hills and Celebrity Big Brother.

Comments

Be the first to comment...

Editor's Picks

Lou Gramm - "Waiting For A Girl Like You"

Lou Gramm - "Waiting For A Girl Like You"They're Playing My Song

Gramm co-wrote this gorgeous ballad and delivered an inspired vocal, but the song was the beginning of the end of his time with Foreigner.

Song Titles That Inspired Movies

Song Titles That Inspired MoviesSong Writing

Famous songs that lent their titles - and in some cases storylines - to movies.

Macabre Mother Goose: The Dark Side of Children's Songs

Macabre Mother Goose: The Dark Side of Children's SongsSong Writing

"London Bridge," "Ring Around the Rosie" and "It's Raining, It's Pouring" are just a few examples of shockingly morbid children's songs.

Penny Ford of Snap!

Penny Ford of Snap!Songwriter Interviews

The original voice of Snap! this story is filled with angry drag queens, video impersonators and Chaka Khan.

David Sancious

David SanciousSongwriter Interviews

Keyboard great David Sancious talks about his work with Sting, Seal, Springsteen, Clapton and Aretha, and explains what quantum physics has to do with making music.

Jim Adkins of Jimmy Eat World

Jim Adkins of Jimmy Eat WorldSongwriter Interviews

Jim talks about the impact of "The Middle" and uses a tree metaphor to describe his songwriting philosophy.