Ocean

Album: Something In The Room She Moves (2024)
Play Video

Songfacts®:

  • Inspired by her newborn daughter, Julia Holter attempted to create "a realm that's waterlike, fluid, evoking the body's internal sound world," for her sixth album, Something in the Room She Moves. This instrumental track captures the awe-inspiring beauty and primal mystery of the sea at night.
  • Holter co-wrote "Ocean" with longtime collaborator Devin Hoff (bass, composition, arrangement) and saxophonist/composer Chris Speed.

    "I started it at home as a demo, mainly using an old analog synth called a Cadio CS-60 and my Nord Stage," Holter told Uncut magazine. "Yes, it was an abnormally ambient thing for me very minimal, I fell in love with the sound of it. I kept listening to it in a car during the most anxiety inducing times of the pandemic! Then we took it into the studio, and we' got Chris Speed and Dev to improvise over it, on clarinet and double bass respectively, in real time. So, it's became this collaborative thing. I love how that turned out."
  • Inspiration for the album struck after Holter, a new mom, introduced her first daughter to the 2008 Japanese animated fantasy film Ponyo. The themes of transformation and fluidity – a goldfish princess yearning for the human world – resonated deeply with Holter, who was experiencing her own physical changes during pregnancy.

    "It was her first-ever movie," she told The Independent. "I was suddenly having these crazy horror feelings I'd never experienced. It was crazy how intense it was. I've never felt hormonal changes like that."
  • The album title, Something In The Room She Moves, has been framed as a feminist reimagining of a classic Beatles lyric, but the origin story is much more prosaic. Working on a Logic Pro file, the title simply popped into her head. She'd just watched Peter Jackson's documentary Get Back and was singing a lot of Beatles songs to her newborn baby. "I had to name it something and for some reason, I wrote that," Holter said to The Independent.

    Holter admitted she initially wrote "something in the room he moves."

    "But I don't know why, and then I changed it. I don't really have a logical explanation," she shrugged. "I think it is to do with capturing the subconscious at a moment in time, preserving it or something."

Comments

Be the first to comment...

Editor's Picks

David Bowie Leads the Society for Prevention of Cruelty to Long-Haired Men

David Bowie Leads the Society for Prevention of Cruelty to Long-Haired MenSong Writing

Bowie's "activist" days of 1964 led to Ziggy Stardust.

Kim Thayil of Soundgarden

Kim Thayil of SoundgardenSongwriter Interviews

Their frontman (Chris Cornell) started out as their drummer, so Soundgarden takes a linear approach when it comes to songwriting. Kim explains how they do it.

Gary LeVox

Gary LeVoxSongwriter Interviews

On "Life Is A Highway," his burgeoning solo career, and the Rascal Flatts song he most connects with.

Joan Armatrading

Joan ArmatradingSongwriter Interviews

The revered singer-songwriter talks inspiration and explains why she put a mahout in "Drop the Pilot."

Modern A Cappella with Peder Karlsson of The Real Group

Modern A Cappella with Peder Karlsson of The Real GroupSong Writing

The leader of the Modern A Cappella movement talks about the genre.

Mark Arm of Mudhoney

Mark Arm of MudhoneySongwriter Interviews

When he was asked to write a song for the Singles soundtrack, Mark thought the Seattle grunge scene was already overblown, so that's what he wrote about.