Crucify
by k-os

Album: Can't Fly Without Gravity (2015)
Play Video

Songfacts®:

  • This song is based on a sample of Ella Fitzgerald's version of the Cole Porter song "It's De-Lovely," where Fitzgerald sings:

    Control your desire to curse
    while I crucify the verse


    K-os heard "It's De-Lovely" for the first time when he was in a Vancouver movie theater watching American Hustle; the song plays during a dinner scene in the film.

    Movies are a passion of the Canadian rapper and often a source of inspiration. When this scene came on, he immediately pulled out his phone and looked up the song (yes, he's that annoying guy in the theater - but at least it's for his art). He made notes throughout the rest of the film, and when it was over he went home and programmed the sample on his Ensoniq ASR-10. He had the beat together in about 20 minutes, and the lyrics followed.
  • K-os was drawn to the word "crucify" when he heard Ella Fitzgerald sing it. While "murder" has become a rap cliché (used in both a literal and figurative sense), "crucify" has a lot more gravitas. When we spoke with k-os in 2015, he explained: "To crucify the verse, I mean, what more could you want? There's so many metaphors in that: to say something so powerful that you kill it, for it to rise again. Or to do something so well that it ceases to exist, but in ceasing to exist, it's immortalized. There's so many ways to look at it."

    He added: "Murdered leaves me feeling hollow. Crucifixion feels like there was a purpose for the ending. It's an ending of memory. It's an ending of people's experiences, which is why human beings are so afraid of it they don't know what to do, because all we are are memories, and the idea that that's going to end scares us so much."
  • Lyrically, this song explores the roots of hip-hop, and how many in the current generation of rappers don't respect it. "They know that it's there, and they know how powerful it is, but they've killed it a little bit because it's hard to live up to," k-os told us. "So that's my subversive statement about where that's coming from: Come on, you guys know that you crucified the Tribe Called Quest verses, come on, admit it. You know you crucified all the De La Soul and the Public Enemy. Everything that everyone loves right now is from that, but no one wants to let it keep living."
  • K-os manages to turn the late '80s - early '90s hip-hop act Wreckx-N-Effect (the guys who brought us "Rump Shaker") into a verb on this track, as he raps:

    I'm chin checking 'em
    Seconds, I'm decking 'em
    Wreckx-N-Effecting 'em
    Vexing 'em

Comments

Be the first to comment...

Editor's Picks

Mike Scott of The Waterboys

Mike Scott of The WaterboysSongwriter Interviews

The stories behind "Whole Of The Moon" and "Red Army Blues," and why rock music has "outlived its era of innovation."

Edwin McCain

Edwin McCainSongwriter Interviews

"I'll Be" was what Edwin called his "Hail Mary" song. He says it proves "intention of the songwriter is 180 degrees from potential interpretation by an audience."

Philip Cody

Philip CodySongwriter Interviews

A talented lyricist, Philip helped revive Neil Sedaka's career with the words to "Laughter In The Rain" and "Bad Blood."

Harold Brown of War

Harold Brown of WarSongwriter Interviews

A founding member of the band War, Harold gives a first-person account of one of the most important periods in music history.

Graham Bonnet (Alcatrazz, Rainbow)

Graham Bonnet (Alcatrazz, Rainbow)Songwriter Interviews

Yngwie Malmsteen and Steve Vai were two of Graham's co-writers for some '80s rock classics.

Tony Joe White

Tony Joe WhiteSongwriter Interviews

The writer of "Rainy Night in Georgia" and "Polk Salad Annie" explains how he cooks up his Louisiana swamp rock.