Songfacts®:

• Kacey Musgraves and Miranda Lambert grew up just 18 miles apart in Texas and learned to play guitar from the same teacher, John DeFoore. However, for years, the relationship between the two could be described as a "country music cold war" - no public screaming matches, no diss tracks, just a long stretch of strategic avoidance conducted across award shows, festivals and the Texas state line. The tension dates back to 2011, when Lambert recorded "Mama's Broken Heart," a song Musgraves co-wrote and had reportedly hoped to release herself. Musgraves told Variety the bad blood was "grass-fed, Grade A."
  
  "Horses and Divorces," recorded for Musgraves' seventh album, Middle of Nowhere, finally turns that long-running friction into comedy. Rather than pretending the feud never happened, the two singers lean directly into it, transforming years of side-eye and whispered industry gossip into a sharp, self-aware duet about burying the hatchet.
• The song unfolds like a conversation between two people who have reached the age where holding grudges simply starts to feel exhausting. Both women admit to the mutual trash talking and competitiveness before realizing they have more in common than either probably wanted to admit. The final line lands with a dry understatement:
  
  Now that we're older
  It's all whiskey under the bridge
• The title came from a social media moment. Musgraves was scrolling Instagram when she came across a photo of Lambert riding a horse: "We ain't friends, but I guess we have two things in common, horses and divorces," Musgraves told NPR. "Wait, that could be a really funny song. What if it's a duet with her? What if I got her to write on it?"
  
  From there she cold-called Lambert with a characteristically blunt pitch: "I know we've had our s--t over the years, but listen, we've at least got two things in common. I'm not trying to be your friend. You got your life, I have mine. But I think this would be a pretty f--king funny song."
  
  Lambert agreed, and the two wrote the song together in a matter of a few hours, airing out old grievances along the way.
• Both artists reference the other's catalog. Lambert sings:
  
  I'd ride in on my high horse, you'd still be higher.
  
  The line simultaneously references Musgraves' song "High Horse" and gently pokes fun at her famously relaxed relationship with marijuana.
  
  Musgraves fires back with:
  
  A few years ago you'd have set me on fire
  
  This is a callback to Lambert's breakout 2005 single "Kerosene," in which she threatened to burn a cheating lover's house down. The exchange works as a mutual roast: each woman weaponizing the other's signature song to score a point, before letting the whole rivalry dissolve into laughter.
• The song also nods to the pair's shared devotion to Willie Nelson, another Texas institution:
  
  We both love Willie, but I mean really
  What a--hole doesn't like Willie?
  
  The lyric is an apt symbolic touchstone, given that Nelson himself appears elsewhere on the Middle of Nowhere album.
• Musgraves and Lambert wrote "Horses and Divorces" with Shane McAnally, whose long history with Musgraves includes songs like "Merry Go 'Round" and "Follow Your Arrow." Production was handled by Musgraves and Daniel Tashian, her main collaborator across the album. Recording took place at The Saltmine Studios, in Mesa, Arizona.
• Musically, the song rides on a warm Norteño-influenced waltz arrangement featuring pedal steel, accordion and acoustic guitars. Kacey Musgraves played acoustic guitar and Daniel Tashian handled electric guitar, acoustic guitar, bass and cowbell. The other musicians are:
  
  Todd Lombardo: acoustic guitar, nylon-string guitar
  Paul Franklin: pedal steel guitar
  Fred Eltringham: drums, percussion
  Rob Burger: accordion
• Musgraves and Lambert performed the song together live for the first time on May 5, 2026 at Gruene Hall in Texas, one of the most storied honky-tonks in the state. It was a surprise appearance; Lambert was not advertised in advance.
• Placed as track 9 on Middle of Nowhere, "Horses and Divorces" engages with the album's themes of solitude and reevaluation through the lens of a relationship outside the romantic; a female friendship mended rather than a romance lost. Musgraves described the collaboration to NPR as a potential "micro representation of what I wish the world would do sometimes. Just sit down and poke fun at each other, have a beer and call it a day."