Savior
by Kendrick Lamar (featuring Baby Keem)

Album: Mr. Morale & the Big Steppers (2022)
Charted: 23
Play Video

Songfacts®:

  • Here, Kendrick Lamar explores the tendency of African-Americans to view certain public figures as saviors.
  • Lamar sets the tone on the intro by insisting he's only human and not a savior. Moreover, Black popular culture's leading figures, such as rappers J. Cole, Future, and basketball star LeBron James, aren't saviors either.
  • In the first verse, Lamar addresses various racial issues. He criticizes the pointless divisions created by those who judge others but do not live up to what they believe to be true Black ideology.

    Two times center codefendant judging my life
    Back pedaler, what they say? You do the cha-cha
    I'ma stand on it, 6'5" from 5'5"


    Lamar's willingness to speak his mind raises his metaphorical height a full 12 inches higher than his actual height of 5 feet 5 inches.
  • The second verse finds Lamar discusses rappers who go along with trends and keep their lyrics politically correct. K-Dot decries conformity and sees his artistic responsibility as keeping things real. He illustrates this with a set of bars about his change of views on COVID.

    Seen a Christian say the vaccine mark of the beast
    Then he caught COVID and prayed to Pfizer for relief
    Then I caught COVID and started to question Kyrie
    Will I stay organic or hurt in this bed for two weeks?


    NBA star Kyrie Irving elected not to receive the COVID-19 vaccination as a stand for freedom of choice. Like Irving, at one point Lamar too was against COVID-19 vaccinations, seeing it as government control. But after catching the disease, his views changed.
  • Lamar discusses his own flaws and struggles in the third verse. He stresses that he's simply a rapper, and unqualified to speak out about every facet of Black life.

    They all greedy, I don't care for no public speaking
    And they like to wonder where I've been
    Protecting my soul in the valley of silence


    In the years leading up to the release of Mr. Morale & the Big Steppers, Lamar had been notably silent. Instead of expounding on pressing public issues, he'd been focusing on his faith and spiritual health.
  • Kendrick Lamar's cousin, Baby Keem, raps the chorus. Echoing the song's theme of cultural influence, Keem questions whether a fan's love for him is genuine or if it's because of his celebrity status. If his fame disappeared overnight, he wonders if they'd treat him in the same way.
  • Both Baby Keem and the singer-songwriter Sam Dew (who serves as backing vocalist throughout the track) get featured credits. Both artists pop in and out of the Mr. Morale & the Big Steppers tracks, but "Savior" is the only song they get officially credited.
  • Kendrick Lamar co-produced "Savior" with Rascal, Mario Luciano, Cardo, J.LBS, and Sounwave. Their instrumentation incorporates a haunting, reversed sample of Canadian singer-songwriter River Tiber's 2020 track "Hypnotized."

Comments

Be the first to comment...

Editor's Picks

Best Band Logos

Best Band LogosSong Writing

Queen, Phish and The Stones are among our picks for the best band logos. Here are their histories and a design analysis from an expert.

Jonathan Cain of Journey

Jonathan Cain of JourneySongwriter Interviews

Cain talks about the divine inspirations for "Don't Stop Believin'" and "Faithfully."

Paul Williams

Paul WilliamsSongwriter Interviews

He's a singer and an actor, but as a songwriter Paul helped make Kermit a cultured frog, turned a bank commercial into a huge hit and made love both "exciting and new" and "soft as an easy chair."

Jack Blades of Night Ranger and Damn Yankees

Jack Blades of Night Ranger and Damn YankeesSongwriter Interviews

Revisit the awesome glory of Night Ranger and Damn Yankees: cheesily-acted videos, catchy guitar licks, long hair, and lyrics that are just plain relatable.

Chris Isaak

Chris IsaakSongwriter Interviews

Chris tells the story of "Wicked Game," talks milkshakes and moonpies at Sun Records, and explains why women always get their way.

80s Video Director Jay Dubin

80s Video Director Jay DubinSong Writing

Billy Joel and Hall & Oates hated making videos, so they chose a director with similar contempt for the medium. That was Jay Dubin, and he has a lot to say on the subject.