Broken Stones

Album: Stanley Road (1995)
Play Video

Songfacts®:

  • Weller wrote this gospel-tinged track with the idea that humans are like "broken stones" trying to become whole again. He was inspired by a conversation he had with his young son at the beach.

    "He was asking me where all the pebbles came from," Weller told Daniel Rachel (The Art of Noise: Conversations with Great Songwriters). "I told him we were all part of one rock before and we all got smashed down in time and splintered and sent around the earth. I don't know if that's true or not, scientifically, but that was my explanation to him anyway. But even if it wasn't true, as a metaphor for us as a human race, human spirit, that we all come from one source and we just got splintered and sent round the world, there was sense of spirituality that we're all seeking to get back to that core again or get back home. So that spiritual element I married to the gospel accordion chords in it. It's like an old gospel or spiritual tune to me."

Comments

Be the first to comment...

Editor's Picks

Reverend Horton Heat

Reverend Horton HeatSongwriter Interviews

The Reverend rants on psychobilly and the egghead academics he bashes in one of his more popular songs.

American Hits With Foreign Titles

American Hits With Foreign TitlesSong Writing

What are the biggest US hits with French, Spanish (not "Rico Suave"), Italian, Scottish, Greek, and Japanese titles?

Amy Grant

Amy GrantSongwriter Interviews

The top Contemporary Christian artist of all time on song inspirations and what she learned from Johnny Carson.

Francis Rossi of Status Quo

Francis Rossi of Status QuoSongwriter Interviews

Doubt led to drive for Francis, who still isn't sure why one of Status Quo's biggest hits is so beloved.

Country Song Titles

Country Song TitlesFact or Fiction

Country songs with titles so bizarre they can't possibly be real... or can they?

John Lee Hooker

John Lee HookerSongwriter Interviews

Into the vaults for Bruce Pollock's 1984 conversation with the esteemed bluesman. Hooker talks about transforming a Tony Bennett classic and why you don't have to be sad and lonely to write the blues.