Take a Letter Maria

Album: R.B. Greaves (1969)
Charted: 2
  • In the tale of this song, a businessman has been working overtime for a quite a while in order to make ends meet; while coming home late one night, he discovers that all the overtime had cost him his marriage. He packs up and finds another place to stay for the night. Preparing to file for divorce, he comes to work the next day and tells his secretary, Maria, to type a letter and make a copy, the original for his wife and the copy for his lawyer. He then asks Maria to have a date with him... immediately after she finishes following his business requests.
  • Other artists who have covered this song include Anthony Armstrong Jones, Gary Puckett, Boots Randolph, Jimmy Ruffin, Doug Stone, and Mel Tormé. >>
    Suggestion credit:
    Jerro - New Alexandria, PA, for above 2
  • R.B. Greaves, who also wrote this song, is Sam Cooke's nephew. He had one more US Top 40 hit: "Always Something There To Remind Me." That one, written by Burt Bacharach and Hal David, reached #27 in 1970.
  • Greaves recorded this song in Sheffield, Alabama at Muscle Shoals Sound Studios. The studio was owned by the musicians who worked there and played on this track: guitarist Jimmy Johnson, drummer Roger Hawkins, bass player David Hood, and piano player Barry Beckett (Eddie Hinton, not an owner, played lead guitar). These musicians broke off from FAME Studios, where they played on many hits for Atlantic Records artists, and it was Jerry Wexler at Atlantic who financed their new studio. Greaves was one of several Atlantic artists sent to Muscle Shoals Sound Studios, but the first to have a hit there. "Take a Letter Maria" was a very big deal for the studio, which successfully competed with FAME over the next decade, recording Bob Seger, Paul Simon, Rod Stewart and many other big names.

    When we spoke with David Hood, he told us: "It was our first big hit. First gold record after we had gone out on our own. We were getting pretty nervous, because we thought Atlantic was going to quit using us and we were going to go broke. So it was a big relief when R.B. Greaves came along. 'Take a Letter, Maria' was just a fluke. We all thought it was good when we cut it, but we didn't think it was anything all that special. And here it becomes a hit."
  • The R.B. Greaves album was produced by Ahmet Ertegun, who by 1969 was running Atlantic Records. David Hood told us about working with Ertegun at these sessions: "He was a tremendous recognizer of talent and of songs. He knew music and musicians about as well as anybody on earth, but he was very hands off. He sat in the control room. While he was here he went and bought a pair of cowboy boots. He had his feet propped up on the console and had a yellow legal pad in his lap. We thought, gosh, he's making all these notes and doing all this stuff. And we go in there, and he'd just been doodling and drawing stars and stuff. So he was very non scientific. He went more on his instincts, whether he liked something or not."
Please sign in or register to post comments.

Comments: 6

  • Barry from Sauquoit, NyExactly fifty years ago today on November 16th, 1969 "Take A Letter Marie" by R.B. Greaves peaked at #2 {for 1 week} on Billboard's Top 100 chart, the week it was at #2, the #1 record for that week was "Wedding Bell Blues"* by the 5th Dimension...
    The rest of the Top 10 on November 16th, 1969:
    At #3. "Something" by The Beatles
    #4. "And When I Die"* by Blood, Sweat and Tears
    #5. "Smile A Little Smile For Me" by The Flying Machine
    #6. "Na Na Hey Hey Kiss Him Goodbye" by Steam
    #7. "Come Together" by The Beatles
    #8. "Yester-Me, Yester-You, Yesterday" by Stevie Wonder
    #9. "Suspicious Mind" by Elvis Presley
    #10. "I Can't Get Next To You" by The Temptations
    R.I.P. to both R.B. Greaves {1943 - 2012} and Laura Nyro {1947 - 1997}...
    * And from the 'For What It's Worth' department, both "Wedding Bell Blues" and "And When I Die" were composed by Laura Nyro...
  • Barry from Sauquoit, NyOn October 12th 1969, "Take A Letter Maria" by R.B. Greaves entered Billboard's Hot Top 100 chart at position #61; and on November 16th, 1969 it peaked at #2 {for 1 week} and spent 15 weeks on the Top 100...
    It reached #10 on Billboard's R&B Singles chart and #3 on the Adult Contemporary Tracks chart...
    One year later in 1970 it was covered by Anthony Armstrong Jones; his version peaked at #8 on Billboard's Hot Country Singles chart...
    And then in 1999 Doug Stone's covered version reached #45 on the Hot Country singles chart...
    The week R.B.'s "Take A Letter Maria" was at #2, the #1 record for that week was 'Wedding Bell Blues" by the Fifth Dimension...
    R.I.P. Mr. Greaves, born Ronald Bertram Aloysius Greaves the III {1943 - 2012}.
  • Camille from Toronto, OhVery fun song to listen to and sing along with!
  • Jennifer Harris from Grand Blanc, MiI remember this song.Also a good story packaged with it.
  • Guy from Woodinville, WaGreat song. Wonderful little story packaged inside it.
  • Barry from Greenville, NcR.B.'s actual name is Ronald Bertram Aloysius Greaves and he's the nephew of Sam Cooke. Half Native American, he was raised on a Seminole reservation in California.
see more comments

What Musicians Are Related to Other Musicians?Song Writing

A big list of musical marriages and family relations ranging from the simple to the truly dysfunctional.

Howard JonesSongwriter Interviews

Howard explains his positive songwriting method and how uplifting songs can carry a deeper message.

Charlotte Caffey of The Go-Go'sSongwriter Interviews

Charlotte was established in the LA punk scene when a freaky girl named Belinda approached her wearing a garbage bag.

Chris Squire of YesSongwriter Interviews

One of the most dynamic bass player/songwriters of his time, Chris is the only member of Yes who has been with the band since they formed in 1968.

Richie Wise (Kiss producer, Dust)Songwriter Interviews

Richie talks about producing the first two Kiss albums, recording "Brother Louie," and the newfound appreciation of his rock band, Dust.

Brenda RussellSongwriter Interviews

Brenda talks about the inspiration that drove her to write hit songs like "Get Here" and "Piano in the Dark," and why a lack of formal music training can be a songwriter's best asset.