Little Mary Phagan

Album: Complete Recorded Works (1925)
Play Video

Songfacts®:

  • "Little Mary Phagan" was written by Fiddlin' John Carson (1868-1949), who in 1922 became the first old-time country musician to broadcast genuine old-time country music over a radio station. He wrote this song in 1915 and actually performed it on the steps of the Georgia State Capitol. Ten years later it was recorded by his singer-guitarist daughter Rosa Lee Carson (1911-92).

    It was also recorded twice in 1925 by Al Craver: on May 27, and again (under the name Vernon Dalhart) on October 1. The song is also known as "The Ballad Of Mary Phagan," and there are variations on the words.
  • Aside from some speculation about the dialogue between the victim and the man convicted of killing her, this is a fairly straightforward ballad about a murder case that has generated much manufactured controversy.

    In April 1913, 13-year-old Mary Phagan was found brutally murdered in the basement of the pencil factory where she worked, by the African-American security man Newt Lee, and although the investigation was far from exemplary, and included two exhumations of the body, the police eventually focused their attention on two suspects: the quite wealthy manager and part owner of the factory, Leo Frank, and Jim Conley, a semi-literate African American.

    While Frank pleaded total ignorance of the crime, he was the last person (bar one?) to see the victim alive, but Conley implicated him, claiming he'd bribed him to dispose of the body. Because of the bizarre nature of some of the evidence - two crudely forged letters found at the crime scene which Conley admitted writing - there was really no question about his involvement.

    Frank, who was Jewish, was indicted and convicted primarily on the evidence of Conley, and sentenced to death, though this sentence was commuted to life imprisonment. That might have been the end of the matter, but in August 1915 a lynch mob, the self-styled "Knights of Mary Phagan," broke into the prison where Frank was being held, kidnapped him and strung him up.

    In his 1966 book The Lynching Of Leo Frank, Henry Golden quotes Frank's lawyer who said of Jim Conley: "Who is Conley? Who was Conley as he used to be and as you have seen him? He was a dirty, filthy, black drunken, lying ni--er... Who was it that made this dirty ni--er come up here looking so slick? Why didn't they let you see him as he was?"

    Frank himself made similar disparaging comments suggesting that it was absurd to indict him on the word of a "black brute."

    Commenting 50 years after the case, McLellan Smith, who covered the story as a cub reporter, wrote that a man of Conley's mental capacity could have been broken if he was lying, adding that he certainly impressed on the witness stand.

    In 1986, under continued pressure including new evidence of doubtful probity, the Georgia State Board of Pardons and Paroles granted Frank a posthumous pardon, but without addressing the question of his guilt.

    Carson's song sums up the mood of the time, which was not anti-Semitism, rather a sense of outrage that a man should murder a child and attempt to avoid justice by hiring expensive lawyers and casting unwarranted aspersions on his principal accuser.

    After Governor Slaton commuted Frank's death sentence, Carson wrote another version of the song in which he accused him of taking a million dollar bribe from a New York bank. He ended up in jail for slander. >>>
    Suggestion credit:
    Alexander Baron - London, England, for above 2

Comments: 1

  • 1-0-0-1-0-0-1 from Seattle WaAbout the writer of this song from The Document Records Store "No excuses can be made for his racism, anti-Semitism, or downright nastiness. Over the course of his life he was an active member of the Klu Klux Klan, called for the lynching of Leo Frank through song, railed against Evolution, and enjoyed a (self-designated) reputation of being a moonshiner."
see more comments

Editor's Picks

Lou Gramm - "Waiting For A Girl Like You"

Lou Gramm - "Waiting For A Girl Like You"They're Playing My Song

Gramm co-wrote this gorgeous ballad and delivered an inspired vocal, but the song was the beginning of the end of his time with Foreigner.

Who Wrote That Song?

Who Wrote That Song?Music Quiz

Do you know who wrote Patti Smith's biggest hit? How about the Grease theme song? See if you can match the song to the writer.

Gentle Giant

Gentle GiantSongwriter Interviews

An interview with Ray and Derek Shulman of the progressive rock band Gentle Giant to discuss counterpoint, polyrhythms, and... Bon Jovi.

Joe Ely

Joe ElySongwriter Interviews

The renown Texas songwriter has been at it for 40 years, with tales to tell about The Flatlanders and The Clash - that's Joe's Tex-Mex on "Should I Stay or Should I Go?"

Jethro Tull

Jethro TullFact or Fiction

Stage urinals, flute devices, and the real Aqualung in this Fact or Fiction.

Daniel Lanois

Daniel LanoisSongwriter Interviews

Daniel Lanois on his album Heavy Sun, and the inside stories of songs he produced for U2, Peter Gabriel, and Bob Dylan.