This blast of hardcore hip-hop was the first Wu-Tang Clan release. The Staten Island group financed the recording themselves and pressed a 12" single containing three versions of this song and a vocal and instrumental version of "After The Laughter Comes Tears" as the B-side. They also took care of distribution (bringing the single to local record shops and selling out of cars) and promotion (hitting up local clubs and radio stations) on their own. Their plan worked, and this DIY underground success gave the act instant credibility, as it was clear that these guys were real hustlers who lived their lyrics, and not a burnished record company creation. Major labels came calling, and the group signed with RCA subsidiary Loud Records in a deal that included an unusual clause: all members were free to pursue solo careers outside of the label.
This song was a great introduction to the Wu-Tang Clan, since eight of their nine members feature on vocals (only Masta Killa doesn't get a lead). The Clan introduce themselves on the track, making it clear that they are not to be messed with.
GZA's verse at the end of the song makes it clear how they feel about the music industry, as he raps: "The Wu is too slammin' for these Cold Killin' labels." Before Wu-Tang, GZA had a solo deal with Cold Chillin' Records, which soured him on the industry. RZA also had a pre-WU record deal, releasing a single (under the alias Prince Rakeem) called "Ooh, I Love You Rakeem" on Tommy Boy Records. That one also flopped.
A few musical references in the verses:
When Inspectah Deck raps, "You battle, you're sayin' goodbye like Tevin Campbell," he's referring to Campbell's 1991 song "Goodbye."
When Method Man raps, "Like fame, my style will live forever," he's harkening to the theme song for the TV show Fame, where Irene Cara sings, "Fame... I'm gonna live forever."
Joseph Kahn directed the mostly black-and-white music video for this track. Kahn started his career at the helm of rap videos for acts like Snoop Dogg, Public Enemy, and Scarface. He would also famously direct clips like Janet Jackson's pricey "Doesn't Really Matter."