Pressure

Album: The Nylon Curtain (1982)
Charted: 20
  • You have to learn to pace yourself
    Pressure
    You're just like everybody else
    Pressure
    You've only had to run so far
    So good
    But you will come to a place
    Where the only thing you feel
    Are loaded guns in your face
    And you'll have to deal with
    Pressure

    You used to call me paranoid
    Pressure
    But even you can not avoid
    Pressure
    You turned the tap dance into your crusade
    Now here you are with your faith
    And your Peter Pan advice
    You have no scars on your face
    And you cannot handle pressure

    All grown up and no place to go
    Psych 1, Psych 2
    What do you know?
    All your life is Channel 13
    Sesame Street
    What does it mean?

    I'll tell you what it means
    Pressure
    Pressure

    Don't ask for help
    You're all alone
    Pressure
    You'll have to answer
    To your own
    Pressure
    I'm sure you'll have some cosmic rationale
    But here you are in the ninth
    Two men out and three men on
    Nowhere to look but inside
    Where we all respond to
    Pressure
    Pressure

    All your life is Time magazine
    I read it too
    What does it mean?
    Pressure
    I'm sure you'll have some cosmic rationale
    But here you are with your faith
    And your Peter Pan advice
    You have no scars on your face
    And you cannot handle pressure

    Pressure, pressure
    One, two, three, four
    Pressure Writer/s: Billy Joel
    Publisher: Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

Comments: 10

  • Kevin from BostonEveryone in the early to mid 80s were trying to sound like David Bowie. I had to search to make sure bowie or even Brian Eno had nothing to do with this song. I love Bowie, but damn I'm glad the 80s are over.
  • Bob from Farmington Hills, MiI remember reading Timothy White's interview with Billy Joel in Musician Magazine when this first came out. Billy related how that for one of the later instrumental bridges in this song they had the idea that some balalaika's (Russian stringed instruments) would be ideal; they figured you could find just about anything in New York City, when they stuck their heads outside the studio onto the street lo and behold a group of old, bearded Russians carrying balalaikas was walking by. They were able to coax them into the studio and these men laid down tracks for a little bit of money and then went on their way.
  • Tacey from New Milford, NjG.: When you are a recording artist, under a label, it would not be all that uncommon to be in an office with a secretary. Also, many offices have secretaries, and you can write lyrics to a song anywhere. I think your assumption was WAY off. Also, Billy is human...for all we know, he was at the IRS.
  • Randall from Delaware, OhHey, G, people that write songs write them anywhere that the inspiration hits them, including places where secretaries are.
    On a separate note, I don't think it's all that unusual for him to write songs to the second person. He did that a lot. Capiain Jack, Don't Ask Me Why, Big Shot. Those are ones right off the top of my head. I'm sure there's more.
  • Richard from Somerdale , NjI like the thingy that makes that sound for each break. I know it's backed by a violin after the "here you are, two men out and three men on, nowhere to look but inside where we all respond to Pressure" verse, but it sounds really cool alone. I like this song.
  • Randy from Reading, PaG - I saw the same interveiw as did Ken. That is what Billy said about it.
  • April from Baltimore, MdI only recently saw the video for this song, (someone told me it was supposed to be "conceptual surrealism") I just thought it left my head spinning..anyone else seen it?
  • G from Potomac, MdUh... so while he was a recording artist Billy Joel wrote songs in an office with secrataries? I don't think so, nice story though...
  • Jay from Brooklyn, NyThe lyric "All your life is Channel 13/ Sesame Street, what does it mean?" refers to the New York City PBS station.
    The song is unusual not only because it is sung in the second person but also because it ends so abruptly. There is no fade out, just a jarring stop, almost like someone pulled the plug on the recording equipment.
  • Ken from Louisville, KyBilly says he got the idea from a secretary seeing him struggling to write a song. She said "You seem like you're under a lot of pressure." He replied "Thank You!"
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