Sad Eyed Lady Of The Lowlands

Album: Blonde On Blonde (1966)
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  • With your mercury mouth in the missionary times
    And your eyes like smoke and your prayers like rhymes
    And your silver cross, and your voice like chimes
    Oh, do they think could bury you?
    With your pockets well protected at last
    And your streetcar visions which you place on the grass
    And your flesh like silk, and your face like glass
    Who could they get to carry you?

    Sad-eyed lady of the lowlands
    Where the sad-eyed prophet says that no man comes
    My warehouse eyes, my Arabian drums
    Should I put them by your gate
    Or, sad-eyed lady, should I wait?

    With your sheets like metal and your belt like lace
    And your deck of cards missing the jack and the ace
    And your basement clothes and your hollow face
    Who among them can think he could outguess you?
    With your silhouette when the sunlight dims
    Into your eyes where the moonlight swims
    And your match-book songs and your gypsy hymns
    Who among them would try to impress you?

    Sad-eyed lady of the lowlands
    Where the sad-eyed prophet says that no man comes
    My warehouse eyes, my Arabian drums
    Should I put them by your gate
    Or, sad-eyed lady, should I wait?

    The kings of Tyrus with their convict list
    Are waiting in line for their geranium kiss
    And you wouldn't know it would happen like this
    But who among them really wants just to kiss you?
    With your childhood flames on your midnight rug
    And your Spanish manners and your mother's drugs
    And your cowboy mouth and your curfew plugs
    Who among them do you think could resist you?

    Sad-eyed lady of the lowlands,
    Where the sad-eyed prophet says that no man comes
    My warehouse eyes, my Arabian drums
    Should I leave them by your gate
    Or, sad-eyed lady, should I wait?

    Oh, the farmers and the businessmen, they all did decide
    To show you the dead angels that they used to hide
    But why did they pick you to sympathize with their side?
    Oh, how could they ever mistake you?
    They wished you'd accepted the blame for the farm
    But with the sea at your feet and the phony false alarm
    And with the child of a hoodlum wrapped up in your arms
    How could they ever, ever persuade you?

    Sad-eyed lady of the lowlands
    Where the sad-eyed prophet says that no man comes
    My warehouse eyes, my Arabian drums
    Should I leave them by your gate
    Or, sad-eyed lady, should I wait?

    With your sheet-metal memory of Cannery Row
    And your magazine-husband who one day just had to go
    And your gentleness now, which you just can't help but show
    Who among them do you think would employ you?
    Now you stand with your thief, you're on his parole
    With your holy medallion which your fingertips fold
    And your saint-like face and your ghostlike soul
    Oh, who among them do you think could destroy you?

    Sad-eyed lady of the lowlands
    Where the sad-eyed prophet says that no man comes
    My warehouse eyes, my Arabian drums
    Should I leave them by your gate
    Or, sad-eyed lady, should I wait? Writer/s: Bob Dylan
    Publisher: Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

Comments: 31

  • Anthony from SeattleMisssing the jack and the ace...
    Perhaps the Jack of Hearts in Lily, Rosemary, and the Jack of Hearts offers a clue. Missing the jack could mean not having found her true love before she met him.
  • Anthony from SeattleI don't mean to single any intrrpretation out for personal criticism. My disagreement is not at all personal. One of the comments states, "Much of the imagery is religious in nature and begs for a deeper inspection than saying it is a ballad about loving a girl." Being deeply in love with a woman is a religious experience, so biblical references are not inconsistent with that interpretation. Just my $.02 worth...
  • Canuckteach from Muskoka, OnIt might be a tribute to Sarah, but I was told it was about a nun (when it first came out), and more expressions seem to fit that explanation.
  • Sofie from Lodi, CaParts of this song seem to be about Baez, like her Spanish manners. Her father was Spanish descent. Her voice was like chimes. Cannery Row was near Monterey and Carmel, where Baez lived at that time. The cannery buildings were built in part with sheetmetal. The lady of the Lowlands is an ode to her Scottish descent on her mother's side.In Scotland you're either from the Highlands or the Lowlands.. I think they were both staying at the Chelsea Hotel, but Dylan was writing songs on his typewriter, maybe some with Sara on his mind. It's possible to be in love with more than one person, it's also possible to write songs and poems about them at the same time...
  • Sandy from North Fork, Ca.I agree , this song was written about Baez!
  • Fleecemon from Cape BretonJoan Baez says His Royal Bobness wrote this ditty about her. Good enough for me.
  • Matt from ArizonaThis song was written for Sara.

    If you don't believe it, listen to the song Sara from the album Desire.

    "Stayin' up for days in the Chelsea Hotel,
    Writin' "Sad-Eyed Lady of the Lowlands" for you"
  • Anthony from Florida I associated this song with Joan Baez immediately. Mercury being the Messenger. It’s definitely about a woman who has had worldwide impact. Who’s championed the poor and oppressed. With a voice like chimes and face like glass hollow face. The unstoppable Joan. How could they ever mistake her. Kings and princes? And the child of the hoodlum wrapped up in her arms? Who else could live up to this?
  • Canuckteacher from OntarioI was told years ago that the song is about a nun... many phrases fit, even if Dylan had his wife in mind originally. Missionary times, prayers like rhymes, etc. Her life of piousness is not a happy one—‘how could they ever have persuaded you?’...’. Sad-eyed prophets say that no man comes...’, etc.
  • R. H. from Pauls Valley, OkDon in Portland and David in Cambridge I have just one question for you. What galaxy are you two really from?
  • David from Cambridge , MaIs it possible that one fabulous Dylan cynicism has been overlooked?
    "with your Mercury mouth in the missionary times" could be a slash at early whites and missionaries spreading syphilis along with the gospel and "civilization"., Syphilis treatment then included rubbing liquid Mercury into the gums and mouth of the afflicted. As strange as this sounds today, massive dosage of Mercury and sweat boxes was the best treatment and sort of worked.
    The irony of Dylan playing with "Mercury mouth" cannot just be that of the messenger: The Church ALWAYS betrays the Common Man, SEE "Ballad of Frankee Lee and Judas Priest"
    And while it likely is a song to his then dear Wife, nothing would stop Dylan from a few pointed jabs at a glaring Historic hypocrisy.
  • Anja from Izmir, TurkeyWell, I am not a native speaker,so forgive me if I choose the wrong words. My feeling of this song is that of a deep love song. If you ask, why? Well, he knows her, he loves her, and he is about to loose her. He describes her crueless, knows every one of her mistakes, knows very well that her beauty will open her every door, also knows that every man who would look at her, would become her slave. But what he also knows is that she loves him. Love ain't that easy. It's not enough. So he sings just for her, beggs her not to leave him, tells her that all the others are no better than him. And tells her, as if she understood, that the one man who understood her, and still loved her, between all the others, was him.
  • Mel from Roscommon, IrelandSara Lownds worked in the Times, so I think "With your mercury mouth in the missionary times", refers to her eloquence in writing for the ideologically driven Times. Her "face like glass" might mean both it is cold to the touch and "see through", that she is sincere/faithful/transparent. In another song "Love minus Zero/No Limit" (also said to be written about her), he says the same thing "Yet she's true like ice, like fire". "Warehouse eyes" might be connected to "worn out" eyes, she is a sight for sore eyes, ie beautiful. According to Al Aronowitz, Bob reportedly "depended on her advice as if she were his astrologer, his oracle, his seer, his psychic guide. He would rely on her to tell him the best hour and the best day to travel", which I think explains the cult/religious imagery about her. There is a reference to the king of Tyre in Ezekiel 28, which says to him in verse 13 "You were in Eden, the garden of God." A number of his songs dealt with the theme of Eden at this time, such as "Gates of Eden", so maybe "my arabian drums, Should I leave them by your gate?" is a reference to her as a kind of Eve, a temptation, which causes him to leave the Arabian "Eden" behind at the gate. Perhaps, "Warehouse Eyes" might be a reference to his soul. The eyes are the window to the soul, the store his soul, like a warehouse? She in other words is directing the path of his soul, which is an interpretation that probably makes sense of some of the song. Bob probably would laugh at this and say "no, i just liked the sound of the words!"

  • Don from Portland, MeSad Eyed Lady is about many women including Sara but it is mainly about Mary Magdalene. It tells the story of her relationship with Jesus. The child of the hoodlum is his child with her. Jesus was considered a hoodlum by the Jews at the time. Dylan was transitioning to Christianity. Anyone who has studied his Biblical references knows that he was well read. Perhaps he had seen the Book of Mary. Mary escaped to France to start the Merovingian dynasty in the lowlands of Gaul.
  • Peter from Melbourne, AustraliaI believe that the opening lines are an erotic description of his muse's special qualities.
    "With your merury mouth in the missionary times."
    The "missionary position" of lovemaking is the conventional and commmonplace way of making love.
    But someone with "a mercury mouth" evokes to me a woman who delights in the art of oral lovemaking.
    Peter, West Brunswick, Victoria Australia
  • Andy from Shoreham-by-sea, United KingdomThe hoodlum child is Maria
  • Andy from Shoreham-by-sea, United KingdomThe words seem quite straightforward to me.

    Warehouse eyes is about Dylan's emotional life as a big void with nobody in it, until he met Sara if the story is to be believed that this song is about her. And if so, who is the child of the previous lover?
  • Andy from Shoreham-by-sea, United KingdomWhat are the two missing cards, including the suits?

    Andy
    http://soredragon.blogspot.com/
    There's a Hole in Reality through which We Can Look if We Wish

  • Vance from Fairfax, VaThe more I look at this song, the more allegorical it seems to be. There may be a surface meaning about Sarah Lownds or Edie Sedgwick, but it goes much deeper than a love song about a particular woman. Is the woman real or an ideal or imaginary woman who is the true subject of the song? Much of the imagery is religious in nature and begs for a deeper inspection than saying it is a ballad about loving a girl.

    "With your mercury mouth in the missionary times,
    And your eyes like smoke and your prayers like rhymes,
    And your silver cross, and your voice like chimes..."

    Missionary, prayers, cross, chimes....all are words that evoke Christianity. Bells, hymns, ceremonies, words...magical words. What is a mercury mouth? This is an allusion to being "silver tongued" or eloquent, one who speaks with great emotion and meaning. A missionary has to be eloquent in order to make converts. The allusions go on and on: gypsy hymns, the sad-eyed prophet, holy medallion, saint-like face...

    I have to give this much more thought but the deep religious meaning in this lovely and marvelous song has not yet been uncovered. I'm working on it.
  • R.h. from Pauls Valley, OkThis song is definitely about Sara Lownds. His one real, true love. Sara and Dylan met in '62 and were married from '65 to '77. The song "Sara" from Desire tells this. The correct words are:

    "I can still hear the sounds of those Methodist bells. I had taken the cure and had just gotten through stayin' up for days in the Chelsea Hotel
    writing 'Sad Eyed Lady of the Lowlands' for you"

    Most of the songs on "Blood on the Tracks" are also about Sara. That album was being produced during their break-up. The farm incident is something he goes into detail about in his book "Chronocles: Volume One". A book any real Dylan fan needs to read.
  • Benedictus from Stockholm, Swedencontinued re Saint Helena versus sad eyed lady: Every detail corresponds between the saint and dylan's lady - regardless of if a woman of his real life is supposed to have been aimed at - i mean between the life and cult of the saint AND the descriptions of dylan's lady. i'll study this song-text furthermore...
  • Benedictus from Stockholm, Swedenhi. i have studied the religious development of the cult of Elene/Helena from thousands of years bc up to today - id est from Greece to Sweden, and this morning when i listened to Sad Eyed lady Of The Lowlands, a supernatural "fact" dawned upon me: WOW Bob Dylan has unawares written this song about saint Helena "of Sweden"(1102-1140)! Every little detail matches.
  • Richard from London, EnglandThere clearly is a layer of meaning surrounding Sara Lowndes with this song. But what about all the imagery about death and burial? "Who among them do they think could bury you?...Who among them do they think could carry you?" - as in carry the body perhaps.

    There is clearly a retrospective on the life of the "sad eyed lady" e.g. "they wished you'd accepted the blame for the farm". The whole song can be seen as a history of her life. So what if "warehouse" as in "warehouse eyes" means material life and "arabian drums" means exotic possessions in the material life. "Should I leave them by your gate" could mean - shall I discard my eye for the material world and my possessions here and join with your soul in the afterlife - "where the sad eyed prophet says that no man comes". So on one level it is possibly a song about death and the afterlife?

    Also - this is perhaps really far out - "they wished you'd accepted the blame for the farm" - could farm be a code word not for fire - post above - but for "fall". As in the Judaeo/Christian heritage women take the blame for the fall in the book of Genesis...

    RA
  • Alvaro from SantiagoGeorge Harrison's "Long Long Long" on the Beatles' White Album.
    I agree with Dylan. This is his best song ever. And the best love song ever written if you ask me.
    I don't think that there are any details with no sense. I think they are inside jokes which we can't understand, only Sara and Bob.
    It's not about Edie. The ex-husband of Sara was an editor of a magazine. Haven't you heard "Sara" of his 1976 "Desire" album?
    "Stayin' for days in the Chelsea Hotel
    writin' Sad-eyed lady of the Lowlands for you"
  • Brian from Sydney, CanadaThe Rolling Stones used this chord pattern as an influence for one of its songs. Can anybody help me with this one? or was it George Harrison?
  • Blake from Rock Island, IlDylan secretly married Sara Lownds in late 1965. This song was released on Blonde on Blonde in 1966. As another poster mentioned, Lownds is similar to Lowlands.

    I've also heard discussion about the 1997 song Highlands relating to this song, perhaps as much as being a second part to the song.
  • Jordan from Moorhead, MnIn response to Ed's comment, had Blonde on Blonde not been a double album, the Mothers of Invention's Freak Out! would have been the first ever.
  • Alex from New York, NyI dont think this song is about Edie Sedgwick, as Dylan said that he wrote the sonmg for Sara- Sara had a magazine husband, who actually worked for a magazine. Some of the details dont make much sense, but Dylan said that Sad Eyed Lady was the best song he ever wrote, and considering how his relationship went with Sedgwick, even an enigmatic figure like him would likely be proud of a ballad written for his wife. Although it is possible that the sad eyed lady is a composite of women he knew, and in the end, she stands with her thief and is on his parole(I think thats Dylan).
  • Joe from Mesa, AzI'm not sure about the timelines of when dylan and sara met, but i can see at least one thing that makes me believe this song was actually written for her. Lowlands is almost practically the same word as her last name "Lowndes"; give it an "la" and take away the "e".
  • Christa from Seattle, WaThis song was definetly about Edie Sedgwick! I know a lot about her and the things he mentions in the song like " and your silver cross" Edie wore a silver cross. "and your magazine husband who one day just had to go." Edie dated a guy at the factory called Paul America who looked like a pin up boy or a "magazine husband." "you wished they'd accepted the blame for the farm" Farm could be a code word for fire cause Edie set the Chelsea hotel on fire. There are more but i can't think of them right now...
  • Julie from Chicago, IlA boy once quoted lines from this song when he wrote me a love letter.
    It was so sweet, yet corny.
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