"In-A-Gadda-Da-Vida" was supposed to be titled "In The Garden Of Eden," but someone in the studio wrote down the title phonetically, and it stuck.
"Islands in the Stream" was originally written by The Bee Gees as an R&B song. It was originally written by the brothers for Marvin Gaye, however it was recorded instead as a duet by Kenny Rogers and Dolly Parton with the Gibb Brothers also contributing vocals.
"Head Over Heels" by The Go-Go's is a metaphor for how things were getting out of control for the band; they broke up a year later.
The Starland Vocal Band got the title "Afternoon Delight" from the late-afternoon appetizer menu at the restaurant Clyde's Of Georgetown in Washington, DC.
James Brown's "Get Up (I Feel Like Being a) Sex Machine" was the first Hot 100 hit with the word "sex" in the title.
Whether he's splitting ears or burning Nazis, Quentin Tarantino uses memorable music in his films. See if you can match the song to the scene.
Fagen talks about how the Steely Dan songwriting strategy has changed over the years, and explains why you don't hear many covers of their songs.
The author of Help! 100 Songwriting, Recording And Career Tips Used By The Beatles, explains how the group crafted their choruses so effectively.
She thinks of herself as a "song interpreter," but back in the '80s another country star convinced Emmylou to take a crack at songwriting.
Tom stopped performing Thompson Twins songs in 1987, in part because of their personal nature: "Hold Me Now" came after an argument with his bandmate/girlfriend Alannah Currie.
Rise Against frontman Tim McIlrath explains the meanings behind some of their biggest songs and names the sci-fi books that have influenced him.
