
The Kate Bush song "Why Should I Love You?" is a collaboration with Prince. He completely re-worked her demo, so Bush spent a lot of time piecing it back together to keep her imprint.

"How Sweet It Is To Be Loved By You" by Marvin Gaye was inspired by Jackie Gleason's saying, "How Sweet It Is!"

"It's the End of the World As We Know It (And I Feel Fine)" was inspired by a dream where Michael Stipe conjured up images of people with the initials L.B.: Lester Bangs, Leonid Breshnev, Lenny Bruce and Leonard Bernstein.

The riff for The Sex Pistols' "Pretty Vacant" was pinched from a very unpunk song, the ABBA ballad "S.O.S."

There was only one Grammy ever given for Best Disco Recording. It went to "I Will Survive" by Gloria Gaynor.

"Forever" by Chris Brown was written for a Wrigley's Doublemint Gum commercial. The full song contains the gum's tagline: "Double your pleasure, double your fun."
A Soul Train dancer takes us through a day on the show, and explains what you had to do to get camera time.
The hitmaking songwriter/producer Sam Hollander with stories about songs for Weezer, Panic! At The Disco, Train, Pentatonix, and Fitz And The Tantrums.
Billy Joel and Hall & Oates hated making videos, so they chose a director with similar contempt for the medium. That was Jay Dubin, and he has a lot to say on the subject.
David Gray explains the significance of the word "Babylon," and talks about how songs are a form of active imagination, with lyrics that reveal what's inside us.
Emilio talks about what it's like to write and perform with the Tower of Power horns, and why every struggling band should have a friend like Huey Lewis.
The rock revolutionist on songwriting, quitting smoking, and what she thinks of Rush Limbaugh using her song.