Session Man

Album: Face to Face (1966)
Play Video
  • He never will forget at all
    The day he played at the Albert Hall
    A million sessions ago it seems
    He is a session man
    A chord progression
    A top musician

    Rock 'n' roll or folk group star
    A philharmonic orchestra
    Everything comes the same to him
    He is a session man
    A chord progression
    A top musician

    He's not paid to think, just play
    A session man
    A session man
    A session man
    Playing at a different studio every day

    He reads the dots and plays each line
    And always finishes on time
    No overtime nor favors done
    He is a session man
    A chord progression
    A top musician

    He's not paid to think, just play
    A session man
    A session man
    A session man
    A session man Writer/s: Raymond Douglas Davies
    Publisher: Abkco Music Inc.
    Lyrics licensed and provided by LyricFind

Comments: 1

  • Cass from United StatesRay also wrote Session Man as a responses to Jimmy Page's claim to have written the guitar solo on "You Really Got Me" because Jimmy Page was just a session man at the time, hence the line, "He's not paid to think, just play!" As Ray Davies wrote in his book about it, Jimmy Page was just Jealous, because there was a younger and better guitar player on the scene in 1964, and his name was Dave Davies!
see more comments

Editor's Picks

David Clayton-Thomas of Blood, Sweat & Tears

David Clayton-Thomas of Blood, Sweat & TearsSongwriter Interviews

The longtime BS&T frontman tells the "Spinning Wheel" story, including the line he got from Joni Mitchell.

Second Wind Songs

Second Wind SongsSong Writing

Some songs get a second life when they find a new audience through a movie, commercial, TV show, or even the Internet.

Adam Duritz of Counting Crows

Adam Duritz of Counting CrowsSongwriter Interviews

"Mr. Jones" took on new meaning when the song about a misguided view of fame made Adam famous.

Matt Sorum

Matt SorumSongwriter Interviews

When he joined Guns N' Roses in 1990, Matt helped them craft an orchestral sound; his mezzo fortes and pianissimos are all over "November Rain."

Millie Jackson

Millie JacksonSongwriter Interviews

Outrageously gifted and just plain outrageous, Millie is an R&B and Rap innovator.

Ian Astbury of The Cult

Ian Astbury of The CultSongwriter Interviews

The Cult frontman tells who the "Fire Woman" is, and talks about performing with the new version of The Doors.