Circle VII: Sins of the Lion

Album: A Place Where The Sun Is Silent (2011)
Play Video

Songfacts®:

  • This is a track from the North Carolina post hardcore band Alesana's fourth album, A Place Where The Sun Is Silent. The LP is a sonic interpretation of Dante Alighieri's 14th century poem Inferno, which itself is the first part of his epic work The Divine Comedy.
  • At 62 minutes, the album is the band's longest to date. Vocalist-guitarist Shawn Milke told Noisecreep that this was because they had a lot to say. He explained: "We did and we had the characters on the record to write to, so the story is what it is – we were not about to mess around with Dante's Inferno, [laughs]. As far as squeezing a lot of music onto an album, the eye opener for me was the album Colors by Between the Buried and Me. It was more than an hour long, which was such a bold thing to do. I remember hearing that and thinking, don't ever compromise your music just because of length. Do what's right for the music. That's an amazing record that really changed how I look at things."
  • Dante Alighieri (1265-1321) was an Italian poet from Florence. The Divine Comedy, an imaginary journey through Hell, Purgatory and Paradise, is generally considered the greatest poem of the Middle Ages. Written by Dante in the Tuscany dialect, it was only completed a few months before his death. So successful was Dante's work that the Tuscany dialect became the standard language of Italy.
  • The Divine Comedy was written in the style of terza rima, an Italian verse form in triplets which the Roman poet Virgil used. (Virgil was Dante's fictional guide during his journey through Hell). For the poetry buffs amongst you, this meant it was written in lines of 11 syllables, the second line rhymed with the first and third line of the succeeding triplet and in the last there was an extra line rhyming with it's second. Basically, it rhymed A-B-A, B-C-B, C-D-C, D-E-D.
  • Dante's Inferno comprises the first movement of The Divine Comedy and describes the nine circles of the hell where the sins and punishments get worse the further down you go. This song describes the seventh circle. The nine circles are:
    (1) Limbo (for the unbaptised).
    (2) The lustful.
    (3) The gluttons.
    (4) The avaricious.
    (5) The wrathful & the sullen.
    (6) The heretics.
    (7) The violent and bestial, the sins of the lion. This circle is divided into three parts: Violence against Others . Violence against Self. Violence against God, Nature, Art.
    (8) The fraudulent.
    (9) The treacherous..
    At the bottom of circle 9 is Lucifer. Dante writes that the Devil has three faces and with his sidemouths he is chomping on Caesar's assassins, Brutus and Cassius, and with his central mouth, Judas the betrayer of Christ.
  • Other songs that reference Dante's Divine Comedy include "Pyramid Song" by Radiohead and "Roll Right" by Rage Against The Machine. Also Christian rockers Red have cited Dante's epic work as an influence on the concept of their Innocence and Instinct album.

Comments

Be the first to comment...

Editor's Picks

Carol Kaye

Carol KayeSongwriter Interviews

A top session musician, Carol played on hundreds of hits by The Beach Boys, The Monkees, Frank Sinatra and many others.

Early Days of MTV

Early Days of MTVFact or Fiction

If you can recall the days when MTV played videos, you know that there are lots of stories to tell. See if you can spot the real ones.

Glen Phillips of Toad the Wet Sprocket

Glen Phillips of Toad the Wet SprocketSongwriter Interviews

The "All I Want" singer went through a long depression, playing some shows when he didn't want to be alive.

Alan Merrill of The Arrows

Alan Merrill of The ArrowsSongwriter Interviews

In her days with The Runaways, Joan Jett saw The Arrows perform "I Love Rock And Roll," which Alan Merrill co-wrote - that story and much more from this glam rock pioneer.

Sending Out An SOS - Distress Signals In Songs

Sending Out An SOS - Distress Signals In SongsSong Writing

Songs where something goes horribly wrong (literally or metaphorically), and help is needed right away.

He Hit Me (And It Felt Like A Kiss): A History Of Abuse Pop

He Hit Me (And It Felt Like A Kiss): A History Of Abuse PopSong Writing

Songs that seem to glorify violence against women are often misinterpreted - but not always.