Amours Incestueuses

Album: Amours Incestueuses (1972)
Play Video

Songfacts®:

  • It doesn't take a great knowledge of the French language to understand the title. This troubling song was written by Monique Serf, who recorded it in 1972. Known professionally as Barbara, she is said to have been sexually abused by her father as a child.

    In the UK, this song would almost certainly have been banned from the radio at the time, but 21 years later when an English version appeared, things were different. Unsurprisingly it was recorded in the same style by Marc Almond. His version - "Incestuous Love" - runs to 6 minutes 17 seconds. >>>
    Suggestion credit:
    Alexander Baron - London, England

Comments

Be the first to comment...

Editor's Picks

Director Wes Edwards ("Drunk on a Plane")

Director Wes Edwards ("Drunk on a Plane")Song Writing

Wes Edwards takes us behind the scenes of videos he shot for Jason Aldean, Dierks Bentley and Chase Bryant. The train was real - the airplane was not.

Allen Toussaint - "Southern Nights"

Allen Toussaint - "Southern Nights"They're Playing My Song

A song he wrote and recorded from "sheer spiritual inspiration," Allen's didn't think "Southern Nights" had hit potential until Glen Campbell took it to #1 two years later.

Joe Ely

Joe ElySongwriter Interviews

The renown Texas songwriter has been at it for 40 years, with tales to tell about The Flatlanders and The Clash - that's Joe's Tex-Mex on "Should I Stay or Should I Go?"

Kristian Bush of Sugarland

Kristian Bush of SugarlandSongwriter Interviews

Kristian talks songwriting technique, like how the chorus should redefine the story, and how to write a song backwards.

Subversive Songs Used To Sell

Subversive Songs Used To SellSong Writing

Songs about drugs, revolution and greed that have been used in commercials for sneakers, jeans, fast food, cruises and cars.

Lou Gramm - "Waiting For A Girl Like You"

Lou Gramm - "Waiting For A Girl Like You"They're Playing My Song

Gramm co-wrote this gorgeous ballad and delivered an inspired vocal, but the song was the beginning of the end of his time with Foreigner.