Blondie

1974-1982, 1997-
Debbie HarryVocals
Chris SteinGuitar
Jimmy DestriKeyboards1975–1982, 1997–2003
Gary ValentineBass1974-1977
Clem BurkeDrums
Nigel HarrisonBass1978-1982
Frank InfanteGuitar1978-1982
Matt Katz-BohenKeyboards2008-
Tommy KesslerGuitar2010-
  • Originally, they had two back-up singers known only as "Jackie," "Julie," "Tish," and "Snooky" which they later shed.
  • Before Blondie, Debbie Harry was in a folk band called Wind in the Willows, named after the children's book by Kenneth Grahame. This is the same book that was adapted into a Disney Studios animated story and on which Walt Disney theme parks based the popular (now defunct) attraction "Mr. Toad's Wild Ride."
  • Blondie's formation came from the fruitful New York neighborhood around CBGB in the 1970s, and so shared new-wave and punk roots with Patti Smith (briefly sharing guitarist Ivan Kral), Ramones, New York Dolls, and the Talking Heads.
  • At the beginning of Blondie's success in 1977, producer Mike Chapman took the band under his wing. Chapman was quite experienced with punk-type female leads - he had previously worked with Suzi Quatro. With the smash-hit single "Heart Of Glass," the group had established themselves as a consumer-friendly pop-new-wave alternative band, with just enough of a punk tinge to be edgy. Under Chapman's care, the album Parallel Lines became their breakout success, selling 20 million copies worldwide.
  • Debbie Harry has said that Marilyn Monroe was an influence on her style; however, her main intention was to invoke being blonde by itself, since it is associated with glamour, success, and desire.
  • Blondie's four #1 hits on the US Hot 100 were "Heart of Glass" ('79), "Call Me" and "The Tide Is High" ('80), and "Rapture" ('81). Curious for a New York band, they did even better on the UK charts, scoring additional #1s on the UK Singles charts with "Sunday Girl" ('79), and "Atomic" ('81). Three #1 US hits were also #1 in the UK, leaving only "Rapture" to score a #5 in the UK.
  • A number of pressures led to the breakup of Blondie by 1982. The media focused on Harry to the point where the rest of the group felt like they didn't exist (think No Doubt). Their popularity was starting to wane and they weren't seeing the money they were used to. Morale was low and bickering broke out. But the coup de grace was when guitarist Chris Stein was diagnosed with pemphigus, a rare autoimmune disease that causes huge blisters on the skin and mucus membranes. He managed to get cured after a long struggle.
  • Blondie briefly re-formed in the late 1990s to early 2000s, and again in the late 2000s, with the original members Harry, Stein, and Burke. In 2008, they toured with Pat Benatar.
  • The band has nothing to do with the newspaper comic strip of the same name, which began life in 1930 and until the late '70s was what most people thought of when you said "Blondie."
  • Debbie Harry was a Playboy bunny at the New York City Playboy Club from 1968-1973.
  • Chris Stein briefly played guitar in the 1960s in the short-lived garage band The Morticians, which later became the Baroque Pop quartet The Left Banke.
  • Frank Infante was the guitarist in the band from 1978 to 1982. He played on all the recordings from Plastic Letters to The Hunter. Infante performed the lead guitar on all the US hits, including "Heart Of Glass," "One Way Or Another," "Picture This," "Atomic" and "Rapture." >>
    Suggestion credit:
    Jeff - San Diego, CA
  • Harry suggested the name Blondie, inspired by the catcalls from men after she bleached her hair.
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Comments: 2

  • Ian from Durham UkHi Keely, I love Blondie's stuff too. I would call them soft rock though. "Maria" is obviously much later but I don't think anybody in 1999 would describe them as punk-revival? I just saw Debbie on the "Graham Norton Show" on BBC1 in the UK, talking about her new Autobiography. I hope the band can release a new single in 2020, that would be something else ;O)
  • Keely from Brooklyn, NyGod, I love Blondie's stuff. One of the leading punk-rock bands of the 70s, decade of real punk-rock.
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