Blue Jeans
by Blur

Album: Modern Life is Rubbish (1993)
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Songfacts®:

  • Frontman Damon Albarn wrote "Blue Jeans" after moving to Notting Hill in London with his then-girlfriend, Elastica's Justine Frischmann. The song is about finding joy in the mundanities of everyday life with a loved one. The lyrics specifically describe a day spent shopping on Portobello Road, home to a world-famous street market in Notting Hill. "'Blue Jeans' just makes me feel like being in love, and moving to this part of London, and falling in love with the place," Albarn explained in an interview with The Guardian in 2009. "There's an innocence to it. It sounds like being 23."
  • While Albarn often sings about fictional characters on Modern Life Is Rubbish, "Blue Jeans" makes for one of the frontman's more personal songs. Producer Stephen Street discussed this with Uncut in 2009: "You can hear it in the warmth of the lyric, and Damon's singing. It conjured up a lazy day with nothing in particular to do in Damon's life in West London. 'It won't stay this way forever.' It's not the best life in the world, but it's not bad, and he's happy with that."
  • Speaking to Select in 1995, Alex James said he recorded this song's bassline "completely pissed," having spent the day drinking with Blur's accountant.
  • This song appeared in a commercial for the male fragrance Mr. Burberry Indigo in 2018. Shot in Botany Bay in Kent, the short film features Daisy Jones & the Six actor Josh Whitehouse smoldering on the English coast.
  • The Guardian ranked "Blue Jeans" at #11 in "Blur's 20 Greatest Songs," writing: "Before a desire for Ray Davies-y satire overwhelmed them, Blur dealt in more straightforward paeans to London life. On an understated high point of Modern Life Is Rubbish, Graham Coxon's guitar shimmers, Damon Albarn's Portobello Road-referencing lyric sounds satiated – 'I don't really want to change a thing' – and the chorus is an exhalation of contentment."
  • Modern Life Is Rubbish was released on May 10, 1993, peaking at #15 in the UK. The front cover is a painting by Paul Gribble of the fastest steam locomotive, Mallard, built in 1938. Mallard is widely recognized as a symbol of British industrial prowess and innovation, making it a fitting representation of the themes of Englishness and national identity explored throughout Modern Life Is Rubbish.

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