The symphonic poem "Prélude à l'après-midi d'un faune" (Prelude to the Afternoon of a Faun), was first performed in Paris on December 22, 1894, conducted by Gustave Doret. The work was based on a poem about a faun playing panpipes and falling into a languorous sleep after an exhausting session chasing nymphs around the woods.
The tone poem was intended by Claude Debussy to be the first of three pieces, but the planned Interlude and Paraphrase Finale were never written.
In 1912 a ballet choreographed by the Russian ballet dancer Vaslav Nijinsky using the music of Debussy's tone poem was premiered in Paris by Diaghilev's Ballets Russes. The production caused quite a scandal when Nijinsky - dressed up as a faun - performed an erotic dance to the piece on the stage.
The symphonic poem features prominently in the 1949 film Portrait of Jennie, and is used as a musical motif for the titular character played by Jennifer Jones.
Ronnie Dunn wrote "Boot Scootin' Boogie" before he teamed up with Kix Brooks to form Brooks & Dunn. It was originally recorded by the country group Asleep At The Wheel, but Brooks & Dunn did it themselves when it got its own line dance.
New Order took the title for "Blue Monday" from an illustration, which read "Goodbye Blue Monday," in the Kurt Vonnegut book Breakfast Of Champions. The image referred to the invention of the washing machine improving housewives' lives.