Stay

Album: Station To Station (1976)
Play Video

Songfacts®:

  • "Stay" is a song recorded by David Bowie for his Station to Station album in late 1975 at Cherokee Studios in Los Angeles. It began life as a reworked version of "John I'm Only Dancing," but quickly evolved into something altogether different. As guitarist Earl Slick later recalled in his memoir Guitar: Playing with David Bowie, John Lennon, and Rock-and-Roll's Greatest Heroes, Bowie came to him with a simple directive: "Come up with a riff." The result, Slick proudly noted, "turned out to be a total monster."
  • This was a time when Bowie was rumored to be consuming more cocaine than the GDP of a small country, and the lyrics to "Stay" reflect a certain paranoia that only such a habit could inspire. There's a palpable sense of yearning, of a man caught between desire and despair, trying to articulate some kind of plea for companionship but never quite managing to spit it out. "Stay, that's what I meant to say," he croons, as if just realizing what he wanted all along but couldn't muster the clarity to express until now.
  • Co-produced by Bowie with American producer Harry Maslin, "Stay" is a veritable gumbo of genres that kicks off with a two-minute instrumental introduction showcasing the skills of the rhythm section. Bowie's guitarist, Carlos Alomar, in his interview for David Buckley's biography, Strange Fascination: David Bowie: The Definitive Story, nostalgically described the recording process: "We had a field day with that one… It was pretty funky and pretty much straight ahead."

    The track was laid down amid what Alomar referred to as a "cocaine frenzy," but, somehow, they captured a sound that was both raw and polished, chaotic yet coherent. "I wrote out a chart and said this was pretty much what we wanted to do," he recalled. "That song I think David did on the guitar. He strummed a few chords for me, and then we gave it back to him. The rhythm section really liked that one, and then Earl Slick covered some of the lines I had laid down with a thicker sound."
  • Bowie played guitar, Mellotron and Moog synthesizer on the song. The other musicians are:

    Carlos Alomar: guitar
    Earl Slick: guitar
    George Murray: bass guitar
    Dennis Davis: drums, cowbell
    Warren Peace: backing vocals, conga
    Roy Bittan: piano
  • "Stay" was released as a single in July 1976, initially as the B-side to "Suffragette City" before making its own bid for glory in the United States as an A-side. While it didn't exactly set the charts ablaze, critics and fans alike have come to praise the track for its deft musicality, and it went on to become a staple of Bowie's live performances.
  • Over the years, "Stay" has been remixed, remastered, and generally buffed to a fine sheen, including a new version, "Stay '97," recorded during rehearsals for Bowie's 1997 Earthling Tour.
  • An edited version of "Stay" was included in the soundtrack of the 1981 film Christiane F. Wir Kinder Vom Bahnhof Zoo, which is about a teenager in West Berlin who becomes addicted to heroin.

Comments

Be the first to comment...

Editor's Picks

The Truth Is Out There: A History of Alien Songs

The Truth Is Out There: A History of Alien SongsSong Writing

The trail runs from flying saucer songs in the '50s, through Bowie, blink-182 and Katy Perry.

Annie Haslam of Renaissance

Annie Haslam of RenaissanceSongwriter Interviews

The 5-octave voice of the classical rock band Renaissance, Annie is big on creative expression. In this talk, she covers Roy Wood, the history of the band, and where all the money went in the '70s.

Cy Curnin of The Fixx

Cy Curnin of The FixxSongwriter Interviews

The man who brought us "Red Skies" and "Saved By Zero" is now an organic farmer in France.

Howard Jones

Howard JonesSongwriter Interviews

Howard explains his positive songwriting method and how uplifting songs can carry a deeper message.

Ian Anderson: "The delight in making music is that you don't have a formula"

Ian Anderson: "The delight in making music is that you don't have a formula"Songwriter Interviews

Ian talks about his 3 or 4 blatant attempts to write a pop song, and also the ones he most connected with, including "Locomotive Breath."

Paul Williams

Paul WilliamsSongwriter Interviews

He's a singer and an actor, but as a songwriter Paul helped make Kermit a cultured frog, turned a bank commercial into a huge hit and made love both "exciting and new" and "soft as an easy chair."