Album: This Could Be Texas (2024)
Play Video

Songfacts®:

  • English Teacher frontwoman Lily Fontaine is mixed race, with a Caribbean heritage on her father's side and a white British background on her mother's. This song tackles topics like racial identity, self-love, and the pernicious grip of imposter syndrome.
  • Fontaine uses "R&B" to air her frustrations with being pigeonholed as a musician of color. She sings with blistering passion:

    If I have stuff to write, then why don't I just write it for me?
    Despite appearances, I haven't got the voice for R&B


    The inspiration for "R&B" came from a period of writer's block during a relationship. Ironically, the only idea that emerged was an R&B-style melody, a genre people often assumed she would work in due to her racial background. After the relationship ended, Fontaine transformed that melody into the lyrics and riff for "R&B" and brought it to her bandmates.

    "Not always, but there's been times when we meet another musician, and the look on their face is a big shock when I say that I make guitar music," Fontaine shared with Billboard.
  • English Teacher started as a dream-pop outfit called Frank. "R&B" marked the first track created in their current post-punk iteration. The song was initially released in 2021, but they gave it a grungier makeover for their debut album, This Could Be Texas.
  • Marta Salogni, an Italian-born producer and mixer based in London, produced the album version of "R&B." She is known for her work with an eclectic mix of artists, including Björk, Depeche Mode, M.I.A., and Animal Collective.
  • The avant-garde music video was directed by Sarah Oglesby, English Teacher's go-to visual collaborator. The band describes it as "an ode to the chaos of the calm and the calm of the chaos," and a tribute to what they deem the greatest TV show of all time, The Shivering Truth.
  • Before she joined English Teacher, Lily Fontaine sang in pubs and clubs, where her repertoire revolved around Amy Winehouse, Adele and Bessie Smith. "I didn't have role models who I felt were connected to my race and gender," Fontaine told Mojo magazine. "The songwriters I looked up to were John Lennon, Alex Turner, Morrissey, for all his sins, he's a great lyricist. That's probably why it took me so long to make my own music in that style. I didn't clock on to the fact that I could.

Comments

Be the first to comment...

Editor's Picks

Susanna Hoffs - "Eternal Flame"

Susanna Hoffs - "Eternal Flame"They're Playing My Song

The Prince-penned "Manic Monday" was the first song The Bangles heard coming from a car radio, but "Eternal Flame" is closest to Susanna's heart, perhaps because she sang it in "various states of undress."

Matt Sorum

Matt SorumSongwriter Interviews

When he joined Guns N' Roses in 1990, Matt helped them craft an orchestral sound; his mezzo fortes and pianissimos are all over "November Rain."

Motley Crue

Motley CrueFact or Fiction

Was Dr. Feelgood a dentist? Did the "Crüecifixion" really happen?

Michael Glabicki of Rusted Root

Michael Glabicki of Rusted RootSongwriter Interviews

Michael tells the story of "Send Me On My Way," and explains why some of the words in the song don't have a literal meaning.

Goodbye, Hello: Ten Farewell Tour Fake-Outs

Goodbye, Hello: Ten Farewell Tour Fake-OutsSong Writing

The 10 biggest "retirement tours" that didn't take.

Jesus In Pop Hits: The Gospel Songs That Went Mainstream

Jesus In Pop Hits: The Gospel Songs That Went MainstreamSong Writing

These overtly religious songs crossed over to the pop charts, despite resistance from fans, and in many cases, churches.