The chorus in "September" by Earth, Wind & Fire is "Bada-Ya, dancing in September." Maurice White left it "Bada-Ya" instead of a real word because he never let a lyric get in the way of a groove.
"Pink Cadillac" was a B-side for Bruce Springsteen in 1984, but after Aretha Franklin sang about pink Cadillacs on "Freeway Of Love" the following year, Natalie Cole covered the song and had a hit with it in 1988.
The riff for The Sex Pistols' "Pretty Vacant" was pinched from a very unpunk song, the ABBA ballad "S.O.S."
Lil Wayne does an unlikely rap in a remix of the Joe Jonas song "Just In Love." The pair met at the 2008 MTV Video Music Awards.
"Human" by The Killers was the most streamed song on Spotify in 2008, the year that the music streaming service was launched.
Glenn Frey of the Eagles played a bad guy in a 1985 episode of Miami Vice based on his song "Smuggler's Blues."
"When seeds that you sow grow by the wicked moon/Be sure your sins will find you out/Your past will hunt you down and turn to tell on you."
Long before Eminem, Justin Bieber and Nicki Minaj created alternate personas, David Bowie, Bono, Joni Mitchell and even Hank Williams took on characters.
As a songwriter and producer, Narada had hits with Aretha Franklin, Whitney Houston, Mariah Carey and Starship. But what song does he feel had the greatest impact on his career?
On Glen's résumé: hit songwriter, Facebook dominator, and member of Styx.
The Stax legend on how he cooked up "Green Onions," the first time he and Otis Redding saw hippies, and if he'll ever play a digital organ.
Into the vaults for Bruce Pollock's 1984 conversation with the esteemed bluesman. Hooker talks about transforming a Tony Bennett classic and why you don't have to be sad and lonely to write the blues.