Life Itself

Album: How to Be a Human Being (2016)
Play Video

Songfacts®:

  • The first single off How to Be a Human Being was inspired by lead singer Dave Bayley's own experiences on the road. He told NME: "Do you ever play that game where you see someone on the street or in an airport and you start wondering who they are? Someone who doesn't quite fit in, or maybe they look a little shifty. And you start imagining what they do, where they live, who they speak to. We've had a mad couple of years living in a bus, waking up in a different city every night, seeing and meeting all of these characters, hearing the strangest stories, and getting in trouble. Totally surrounded by people… It only seemed natural to write about that. 'Life Itself' came from that."
  • The subject of the song is a weird man who can't get a job and becomes odder as he spends more and more time alone. Dave Bayley explained the lyrics describe, "a guy who was born a bit strange, and struggles to become part of society. Because of that, he spends more time alone in his own head, getting stranger, and it becomes an awful cycle of doom."
  • The song features a more boisterous, raw, percussion-driven instrumentation than Glass Animals have used before. Bayley told NME that playing to bigger crowds has changed the band's sound for the better. "As the crowds got bigger, they got more feral," he said. "And we got a bit more feral. We reworked all of our songs into heavier, grittier versions. Now we're pushing that energy into some of the recordings."
  • The How to Be a Human Being title came very late on in the album recording process, after everything was done. Bayley told HMV.com: "I woke up one day and it was in my head. It fitted really well for so many reasons, but it was lucky, really lucky."
  • Many of the songs on How to Be a Human Being were inspired by conversations Glass Animals would have with people while on tour and the stories they'd tell. The character behind this track went through a few changes in the recording process. "We kind of realized that maybe this character as scripted had more of a playful side to him, and it would be good to inject... rather than the kind of angsty side that's there," Bayley told ABC Radio. "There's another way of playing the song that is just piano and vocal and slowed down, and it actually sounds really sad. But I like the way we ended up doing it. It's a lot cheekier."
  • The drums on this song were inspired by Bayley's obsession with Lollywood music (music from Pakistani films).

Comments

Be the first to comment...

Editor's Picks

Greg Lake of Emerson, Lake & Palmer

Greg Lake of Emerson, Lake & PalmerSongwriter Interviews

Greg talks about writing songs of "universal truth" for King Crimson and ELP, and tells us about his most memorable stage moment (it involves fireworks).

Scott Stapp

Scott StappSongwriter Interviews

The Creed lead singer reveals the "ego and self-fulfillment" he now sees in one of the band's biggest hits.

Richard Butler of The Psychedelic Furs

Richard Butler of The Psychedelic FursSongwriter Interviews

Psychedelic Furs lead singer Richard Butler talks about their first album since 1991 and explains what's really going on in "Pretty In Pink."

Let Me Be Your Teddy Bear: Teddy Bears and Teddy Boys in Songs

Let Me Be Your Teddy Bear: Teddy Bears and Teddy Boys in SongsSong Writing

Elvis, Little Richard and Cheryl Cole have all sung about Teddy Bears, but there is also a terrifying Teddy song from 1932 and a touching trucker Teddy tune from 1976.

Jimmy Webb

Jimmy WebbSongwriter Interviews

Webb talks about his classic songs "By the Time I Get to Phoenix," "Wichita Lineman" and "MacArthur Park."

He Hit Me (And It Felt Like A Kiss): A History Of Abuse Pop

He Hit Me (And It Felt Like A Kiss): A History Of Abuse PopSong Writing

Songs that seem to glorify violence against women are often misinterpreted - but not always.