That Song About The Midway

Album: Clouds (1969)
Play Video

Songfacts®:

  • Some people break up over the phone, others by text or email. Joni Mitchell did it with a song, dumping David Crosby with "That Song About The Midway."

    Crosby and Mitchell dated in 1967; he produced her debut album, Song To A Seagull, released the following year. According to Crosby, one night they were at a party at the abode of Peter Tork of The Monkees when Mitchell pulled out her guitar and played "That Song About The Midway" for the first time. When she finished, she was staring right at him. Then she played it again.

    There was no doubt the song was directed at Crosby. She did indeed break up with him and later took up with his friend Graham Nash, with whom Crosby formed Crosby, Stills & Nash.
  • The song is set in a carnival midway, a metaphor for their strange environment in and around Los Angeles. She compares him to a devil wearing wings, asking if he puts them on just to sing. When she accuses him of cheating, she's very clear:

    You were betting on some lover, you were shaking up the dice
    And I thought I saw you cheating once or twice, once or twice


    Mitchell used the carnival metaphor again in her 1970 song "The Circle Game," where she evokes the painted ponies of a carousel.
  • Crosby said it wasn't easy dating Mitchell because she was a much better songwriter, making him feel inadequate. "Imagine if you wrote a really good song, you sang it to her when she came home, and then she sang you three better songs she wrote last night," he told Howard Stern.
  • "That Song About The Midway" is part of Joni Mitchell's second album, Clouds. She produced the track, and most others on the album, herself. At this point the most popular versions of her songs were recorded by more established singers, like Judy Collins with "Both Sides Now" and "Chelsea Morning."
  • Listening to Joni Mitchell singing the song was emotionally tough for Crosby. "I remember we were at Pete Tork's house and the whole gang was there, maybe 20 people," he recalled to Uncut magazine. "Joni comes storming in, plonks herself down and says, 'I've got a new song to sing to you.' We're all like, 'A new Joni song! Yippee!' She sang 'That Song About The Midway,' which was her goodbye song to me."

    "A pretty forceful goodbye!," he added. "She finished, looked up at me - everyone was sitting there aghast - and sang it again! Ha-ha! Just in case I didn't get it the first time. Then she packed up her guitar and left. Falling for her was a little like falling into a cement mixer."

Comments: 1

  • Vic Walton from Santa BarbaraHer line "You stood out like a ruby / in a Black man's ear" is taken from Shakespeare, when Romeo first describes Juliet in Act 1 Scene 5: "It seems she hangs upon the cheek of night / Like a rich jewel in an Ethiop’s ear"
see more comments

Editor's Picks

Bill Medley of The Righteous Brothers

Bill Medley of The Righteous BrothersSongwriter Interviews

Medley looks back on "Unchained Melody" and "You've Lost That Lovin' Feelin'" - his huge hits from the '60s that were later revived in movies.

John Lee Hooker

John Lee HookerSongwriter Interviews

Into the vaults for Bruce Pollock's 1984 conversation with the esteemed bluesman. Hooker talks about transforming a Tony Bennett classic and why you don't have to be sad and lonely to write the blues.

Daniel Lanois

Daniel LanoisSongwriter Interviews

Daniel Lanois on his album Heavy Sun, and the inside stories of songs he produced for U2, Peter Gabriel, and Bob Dylan.

Julian Lennon

Julian LennonSongwriter Interviews

Julian tells the stories behind his hits "Valotte" and "Too Late for Goodbyes," and fills us in on his many non-musical pursuits. Also: what MTV meant to his career.

Max Cavalera of Soulfly (ex-Sepultura)

Max Cavalera of Soulfly (ex-Sepultura)Songwriter Interviews

The Brazilian rocker sees pictures in his riffs. When he came up with one of his gnarliest songs, there was a riot going on.

Harold Brown of War

Harold Brown of WarSongwriter Interviews

A founding member of the band War, Harold gives a first-person account of one of the most important periods in music history.