The '40s hit "Rum and Coca-Cola" is really about American soldiers soliciting prostitutes in Trinidad.
Billy Joel is surprised that "Piano Man" is so successful. He called it "an old, long song about a guy at a depressing piano bar."
"It's the End of the World As We Know It (And I Feel Fine)" was inspired by a dream where Michael Stipe conjured up images of people with the initials L.B.: Lester Bangs, Leonid Breshnev, Lenny Bruce and Leonard Bernstein.
"Radioactive" set an industry record for the slowest climb to the top five in the Hot 100 chart's history when it jumped from #6 to #4 in its 42nd week.
When Marc Cohn played "True Companion" to his girlfriend, she thought he was proposing. He wasn't, but he did eventually marry her.
The guys who wrote "Take Me Out To The Ballgame" had never been to a baseball game but knew it was a good song topic.
Andrew Farriss on writing with Michael Hutchence, the stories behind "Mystify" and other INXS hits, and his country-flavored debut solo album.
Dennis DeYoung explains why "Mr. Roboto" is the defining Styx song, and what the "gathering of angels" represents in "Come Sail Away."
Gramm co-wrote this gorgeous ballad and delivered an inspired vocal, but the song was the beginning of the end of his time with Foreigner.
The Christian rapper talks about where his trip to Haiti and his history of addiction fit into his songs.
With $50 and a glue stick, Bruce Pavitt created Sub Pop, a fanzine-turned-label that gave the world Nirvana and grunge. He explains how motivated individuals can shift culture.
Ian talks about his 3 or 4 blatant attempts to write a pop song, and also the ones he most connected with, including "Locomotive Breath."