That Day Is Done

Album: Flowers In The Dirt (1989)

Songfacts®:

  • McCartney co-wrote this song with Elvis Costello, who recalled to Mojo magazine August 2011: "I had a fair opening statement and all these images. It was from a real thing, my grandmother's funeral. It was sort of serious. He (McCartney) said, 'Yes, that's all good, all those images.' But quite often when you're writing a song about something personal, what it means to you can sometimes get in the way of what it can mean to somebody else. It needed a release. He said, 'It needs something like this…' and he just sat down and played the chorus. It was sort of like 'Let It Be,' the creation of a semi-secular gospel song. It was quite shocking when he did that bit. Then when you realise that's what he does. Then he sung the hell out of it. That's him, really."
  • Nicky Hopkins played the piano. Hopkins, a prolific session performer on cuts from The Who and the Rolling Stones, was one of the Beatles' go-to keyboardists.
  • This was used in McCartney's 1984 movie, Give My Regards to Broad Street.
  • In his 2015 autobiography Unfaithful Music & Disappearing Ink, Costello admitted the nature of the song made him "almost too possessive," causing tension during the recording sessions. He recalled: "I was hearing a sound in my head that was very close to the one I later sought for 'Deep Dark Truthful Mirror' - a piano-playing gospel changes and the mournful brass sound that I would soon find in the Dirty Dozen Brass Band - so it was pretty shocking to me when Paul began citing some strange, synthetic sound from a recent Human League record that he wanted to incorporate into the recording. I just had to leave the studio for a while and walk around in the country air before I said something I might regret."

    When Costello got back to the studio, he was moved by McCartney's vocal on another tune, "Don't Be Careless Love," and found he wasn't angry anymore. "It might have been in that moment that I accepted we would not make this record together with the same ease and pleasure with which we'd written our songs." When the album was finally completed, Costello was relieved there was "no trace of the chilly synthesizer" on the track.
  • Costello brought the song with him on his final tour with the Confederates in 1987 and used it for the finale of most of the shows. His fears were realized two days before the opener when he got the news his grandmother died. He nearly dropped everything to fly home until his father insisted he go on with the tour rather than attend the funeral. "He said my place was on the stage. I had a show to play. That's the job we do. Not for the first time in my life, what I’d predicted in a song had come to pass."
  • The album title was taken from the song's final verse:

    She sprinkles flowers in the dirt
    That's when a thrill becomes a hurt
    I know I'll never see her face
    She walks away from my resting place

Comments

Be the first to comment...

Editor's Picks

A Monster Ate My Red Two: Sesame Street's Greatest Song Spoofs

A Monster Ate My Red Two: Sesame Street's Greatest Song SpoofsSong Writing

When singers started spoofing their own songs on Sesame Street, the results were both educational and hilarious - here are the best of them.

Bryan Adams

Bryan AdamsSongwriter Interviews

What's the deal with "Summer of '69"? Bryan explains what the song is really about, and shares more of his songwriting insights.

The Fratellis

The FratellisSongwriter Interviews

Jon Fratelli talks about the band's third album, and the five-year break leading up to it.

Gary Louris of The Jayhawks

Gary Louris of The JayhawksSongwriter Interviews

The Jayhawks' song "Big Star" has special meaning to Gary, who explains how longevity and inspiration have trumped adulation.

Gavin Rossdale of Bush

Gavin Rossdale of BushSongwriter Interviews

On the "schizoid element" of his lyrics, and a famous line from "Everything Zen."

Peter Lord

Peter LordSongwriter Interviews

You may not recognize his name, but you will certainly recognize Peter Lord's songs. He wrote the bevy of hits from Paula Abdul's second album, Spellbound.