Finest Worksong

Album: Document (1988)
Charted: 50
Play Video


  • "Finest Worksong" may seem like a protest anthem championing the working class, but the band doesn't see it that way. R.E.M. never really wanted to be known as protest singers: They were conscious of the dangers of taking on such a role and actively worked to avoid it. As Peter Buck said, "I don't like sloganeering, especially when it gets to something like The Clash who don't know what they're talking about. They're f--king boneheads. People think that's revolutionary and it's garbage!"

    Yet, despite their misgivings, R.E.M. ended up finding themselves as one of America's most prominent "political" bands (they certainly didn't help themselves when they told the crowd at Nottingham's Rock City on November 21, 1984 that they were "not proud" of Ronald Reagan and were "sorry").

    Still, the "protest band" label never sat well with them. Michael Stipe showed this loud and clear to a protester who tried to provoke him into speaking out against the Gulf War by shouting out the "Finest Worksong" line, "The time to rise has been engaged."

    Stipe responded with another of his own lyrics, this one from "Talk About the Passion." "Not everyone can carry the weight of the world," he said. "I'm going to breakfast. See you later."
  • This was the third single from R.E.M.'s fifth album. Though it wasn't a hit on the US pop charts, it did peak at #28 on the Mainstream Rock chart.
  • Peter Buck wrote in Part Lies, Part Heart, Part Truth, Part Garbage: "It's a great intro although it's just me hitting a b-string, and Mike has that great bass line. When I brought it in, I felt like I knew what I wanted to and kind of vaguely knew what the guys should do, but we played it once and it just kind of came out of nowhere. Mike and Bill have always been particularly good at coming up with stuff off the tops of their heads that's kind of amazing. It sounded great, but I was afraid that Michael might have trouble writing to it just because it's a B note. That whole song is in B except for the chorus. It reminded me of touring with the Gang of Four. It kind of had that vibe to it."
  • Frontman Michael Stipe references 19th-century poet Henry David Thoreau in the lyrics ("To throw Thoreau and rearrange"), completely by accident. He wrote: "My friend Chris told me that I was our generation's Whitman, I think because I was an ecstatic, and I liked men and women, and I was a poet in his eyes, even though I hated the word poet. Anyway I meant to write Whitman into the song, but I got mixed up and wrote Thoreau in instead."
  • The music video, directed by Stipe, shows workers throwing, smashing and burning a globe, among other things.


Be the first to comment...

Editor's Picks

Joe Ely

Joe ElySongwriter Interviews

The renown Texas songwriter has been at it for 40 years, with tales to tell about The Flatlanders and The Clash - that's Joe's Tex-Mex on "Should I Stay or Should I Go?"

TV Theme Songs

TV Theme SongsFact or Fiction

Was a Beatles song a TV theme? And who came up with those Fresh Prince and Sopranos songs?

Famous Singers' First Films

Famous Singers' First FilmsSong Writing

A look at the good (Diana Ross, Eminem), the bad (Madonna, Bob Dylan) and the peculiar (David Bowie, Michael Jackson) film debuts of superstar singers.

Dean Friedman - "Ariel"

Dean Friedman - "Ariel"They're Playing My Song

Dean's saga began with "Ariel," a song about falling in love with a Jewish girl from New Jersey.

Scott Gorham of Thin Lizzy and Black Star Riders

Scott Gorham of Thin Lizzy and Black Star RidersSongwriter Interviews

Writing with Phil Lynott, Scott saw their ill-fated frontman move to a darker place in his life and lyrics.

Jonathan Cain of Journey

Jonathan Cain of JourneySongwriter Interviews

Cain talks about the divine inspirations for "Don't Stop Believin'" and "Faithfully."