Little Red Rooster

Album: The Rolling Stones Now! (1965)
Charted: 1
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  • Lyrics
  • This is a Blues standard written by Wille Dixon. The Stones first heard it from Howlin' Wolf and Sam Cooke.
  • While playing in Chicago, The Stones sent a car to pick up Howlin' Wolf when they found out he had not been invited to the show. The spotlight operator shined a light on him when he arrived, and the crowd went wild.
  • The Stones' manager, Andrew Oldham, wanted them to record this in order to keep their image as a tough, naughty band, essentially the opposite of The Beatles. Their previous singles in England were "It's All Over Now," "Not Fade Away," and "I Wanna Be Your Man," all of which were successful, but moved them away from The Blues and into a more pop direction. Recording this raw Blues number was for their reputation.
  • Their record label, Decca Records, felt this was not commercial enough to release as a single, but it went to #1 in England because the Stones were so hot at the time. Advance orders for the single ensured that it would be a hit.
  • When this was released in the US, radio stations banned it for sexual content. They quickly released the more radio-friendly "Heart Of Stone" to replace it.
  • Brian Jones played the slide guitar. He died in 1969 after years of drug abuse.
  • Their album Flashpoint contains a live version with Eric Clapton on slide guitar. It was taken from a 1989 show in Shea Stadium, New York.
  • Sam Cooke released this as a single in 1963 with Ray Charles on Piano and Billy Preston playing organ. Their version hit #11 in the US.
  • Keith Richards explained on the BBC 4 documentary Blues Britannia: Can Blue Men Sing the Whites? why the Stones decided to release this as a single: "We must have been wearing brass balls that day, when we decided to put that out as a single. I think we just thought it was our job to pay back, to give them what they've given us. They've given us the music and the friendship, and let's stand up, be men, and give them a blues, and it went to #1. Mr. Howlin' Wolf, he didn't mind at all. It was maybe a moment of bravado, in retrospect, but it worked. We have been blessed by the music that we listened to, and let's see if we can actually spin it back around and make American white kids listen to Little Red Rooster. You had it all the time, pal, you know. You just didn't listen."
  • Mick Jagger defended this song in 1964: "I don't see why we should have to conform to any pattern. After all, wasn't 'Not Fade Away' different from 'It's All Over Now'? We try to make all our singles different, and so far every one has been in a different tempo. This time, I didn't want to do a fast beat number. If the fans don't like it, then they don't like it. I like it. It's a straight blues and nobody's ever done that. Except on albums. We thought just for a change we'd do a nice, straight blues on a single. What's wrong with that?... Course (it's) suitable for dancing. Charlie's drumming makes it good for dancing - you can double up the beat for dancing, I reckon."
  • This was engineered by Bill Farley, who engineered the Stones' debut album in London in 1964. When they did more work in London on their return from the States throughout 1964, he was also the engineer (songs like "Congratulations," "Grown Up Wrong," "Under The Boardwalk"). He also engineered some Andrew Oldham Orchestra sessions that year. >>
    Suggestion credit:
    Bertrand - Paris, France, for above 2
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Comments: 17

  • Barry from Sauquoit, NyOn January 21st 1965, the Rolling Stones and Roy Orbison arrived at the Sydney Airport*, it was the beginning of a 16-date tour of Australian and New Zealand...
    At the time the Stones had two records on the Kent Music Report chart; at #4 was "The Little Red Rooster, while at #16 was "Time Is On My Side" (the week before "The Little Red Rooster" had peaked at #2 for one week}...
    Just less than two months later on March 6th Roy Orbison's "Goodnight" reached #6 {for 3 non-consecutive weeks} on the Australian chart...
    * An estimated 3,000 screaming fans greeted the Stones & the Big 'O' at the airport.
  • Barry from Sauquoit, NyOn May 2nd 1965, the Rolling Stones performed "Little Red Rooster" on the CBS-TV program 'The Ed Sullivan Show'...
    As already stated it never charted in the U.S.A.; but on December 5th, 1964 it peaked at #1 (for 1 week) on the United Kingdom's Singles chart...
    On December 8th, 1963 Sam Cooke's covered version reached #11 (for 1 week) on the Top 100; Mr. Cooke's next two releases, "Good News" and "Good Times", also peaked at #11...
    R.I.P. Mr. Sullivan (1901 - 1974), Mr. Cooke (1931 - 1964), and Brian Jones (1942 - 1969).
  • Ken from Booneville,ms, MsBRIAN JONES one of the best slide guitarist of all time
  • Leelee from Stockton, CaIn my opinion this is better than the more upbeat Howlin wolf version! Then again he wasnt a Rolling Stone..
  • Dee Jay from Santa Monica, CaIf Little Red Rooster was already a hit for Sam Cooke, why would the Stones' version be banned? Plus, it was never released as a single in US.
  • Adam from Glasgow, United KingdomI first heard little Red rooster in 1966. An aunt of mine in Scotland sent me all of the Stones new singles as they came out (she worked in a record store). When this arrived, I had never heard of it, or Willie Dixon, but it quickly became one of my favourites. Quite often I would play it for friends who had never heard of it or known that the Stones had recorded it. Great blues tune, well done by Mick and the boys.
  • Bob from Southfield, MiBack in 1964 when this song was released, Terry Knight was a DJ at radio station CKLW in Windsor, Canada (just across the river from Detroit.) CKLW was a top 40 station at the time but Knight was so impressed with this song that he played it continuously throughout the night on his show. Knight later when on to form his own group, Terry Knight and the Pack that had some regional hits and later put together and managed the Grand Funk Railroad.
  • Ashley from Quincy, IlI'm not a big fan of blues but I love Chuck Berry
    and I love Mick's harmonia playing in this song
  • Craig from Melbourne, AustraliaUnlike Led Zeppelin, the Stones looked after their mentors and influences. They have always had black artists as support acts, whether it be Ike & Tina Turner, Stevie Wonder, Prince, Robert Cray -even the Black eyed peas!
  • R from Montreal, Qc, CanadaGreat "reprise" that give credits to the amerian bluesman.
    At the time they have nothing to eat; and the fact that the Stones recorded their songs bring them royalties and money. And the Stones never missed an occasion to plug those guys in British shows or tours.
    Even Chuck Berry admitted that the Stones help him to pay his Cadillacs ....
  • Dylan from Branson, MoI think this was in steel wheels
  • Joshua from Twin Cities, Mn40 years after its release, the Stones referenced this song in the first verse of "Rough Justice".
  • Erin from Plymouth, Mai thought that Brian Jones died in a mysterious accident where he was found dead in a swimming pool... whatever.
  • Kieran from Birmingham, EnglandIt's not actually about chickens! The rooster is a euphemism or metaphor for the male libido/member. This was a device used by many blues artists to communicate sensual and erotic content to 'blues people', e.g. '...mule kicking in your stall...' = coital sex (Tada!)
  • Nathan from Defiance, OhI can only guess this song was banned based on the implied meaning of Little Red Rooster refering to part of the male anatomy. I really don't know, good tune though
  • Stefanie Magura from Rock Hill, Sci'll bet the song was awesome on slide guitar!
  • Jack from St. Paul, Mnwhy was this song banned? i dont see anything sexual about it
see more comments

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