Roger reveals the songwriting formula Clive Davis told him, and if "Eight Miles High" is really about drugs.
When you free your mind, your ass may follow, but you have to make sure someone else doesn't program it while it's wide open.
We ring the Hell's Bells to see what songs and rockers are sincere in their Satanism, and how much of it is an act.
The in-depth discussion about the making of Jesus Christ Superstar with Ted Neeley, who played Jesus in the 1973 film.
Faith No More's bassist, Billy Gould, chats to us about his two new experimental projects, The Talking Book and House of Hayduk, and also shares some stories from the FNM days.
Rick Astley on "Never Gonna Give You Up," "Cry For Help," and his remarkable resurgence that gave him another #1 UK album.
Prince Markie Dee of The Fat Boys co-wrote the Mary J. Blige hit "Real Love."
The chorus in "September" by Earth, Wind & Fire is "Bada-Ya, dancing in September." Maurice White left it "Bada-Ya" instead of a real word because he never let a lyric get in the way of a groove.
"Bad, Bad Leroy Brown" is about a guy Jim Croce met in the National Guard, which Jim joined to keep him out of Vietnam. Leroy went AWOL, but got caught when he tried to pick up his paycheck.
Jay-Z was going to ask Mary J. Blige to duet on "Empire State of Mind," but he decided on Alicia Keys when he heard the piano stabs on the track.
Post Malone came up with "White Iverson" after getting braids in his hair and thinking they looked like basketball legend Allen Iverson's signature cornrows.
"Up Around The Bend" by Creedence Clearwater Revival had a different meaning to British listeners. In England, to go "Around the bend" means to go crazy.