Album: Crooked Timber (2009)


  • Vocalist Andy Cairns told entertainnment.ie that he is fond of this song, "because I was listening to a lot of Code 9, Benga and a lot of dubstep. Obviously we're not going to use a lot of electronics, so we did it all with guitar and bass. I like the groove of it; it's something like 130 beats per minute. I like how the guitar is kind of sparse apart from certain places where there are little effects on it."

    Cairns added that dubstep was an influence on Crooked Timber. He explained: "Some of the vocal effects came from dubstep but we had to tone it down a little bit because I could get a little carried away! I really like that track 'Archangel' by Burial off the Untrue album. They were going that this is like the thing that Cher used to do! (Producer) Andy Gill was saying 'well, let's make it sound like you but let's not go down the f--king Cher route!' It had to be reigned in a bit so people weren't thinking 'who's that f--king alien singing for Therapy?!' (laughs)."


Be the first to comment...

Editor's Picks

Barney Hoskyns Explores The Forgotten History Of Woodstock, New YorkSong Writing

Our chat with Barney Hoskyns, who covers the wild years of Woodstock - the town, not the festival - in his book Small Town Talk.

Julian LennonSongwriter Interviews

Julian tells the stories behind his hits "Valotte" and "Too Late for Goodbyes," and fills us in on his many non-musical pursuits. Also: what MTV meant to his career.

JJ Burnel of The StranglersSongwriter Interviews

JJ talks about The Stranglers' signature sound - keyboard and bass - which isn't your typical strain of punk rock.

Charlie DanielsSongwriter Interviews

Charlie discusses the songs that made him a Southern Rock icon, and settles the Devil vs. Johnny argument once and for all.

Stand By Me: The Perfect Song-Movie CombinationSong Writing

In 1986, a Stephen King novella was made into a movie, with a classic song serving as title, soundtrack and tone.

Jim Adkins of Jimmy Eat WorldSongwriter Interviews

Jim talks about the impact of "The Middle" and uses a tree metaphor to describe his songwriting philosophy.