"Coming Home" by Diddy - Dirty Money was originally iwritten for for T.I., who was getting out of prison at the time.
Don McLean's "American Pie" starts in mono and gradually goes to stereo. It isn't full stereo until the end of the song, which is over 8 minutes long.
The Starland Vocal Band got the title "Afternoon Delight" from the late-afternoon appetizer menu at the restaurant Clyde's Of Georgetown in Washington, DC.
"Mr. Roboto" by Styx was written by their keyboard player, Dennis DeYoung, who used Japanese words and imagery to create an allegory about censorship.
The disco song "Good Tmes" by Chic was a huge influence on early rap, providing the bassline for "Rapper's Delight."
Elton John's songwriting partner Bernie Taupin wrote the original lyrics for Starship's "We Built This City." It was the first Hot 100 Top 10 hit Taupin wrote without John.
Mike is lead guitarist with Tom Petty & the Heartbreakers, and co-writer of classic songs like "Boys Of Summer," "Refugee" and "The Heart Of The Matter."
Richard explains how Joe Walsh kickstarted his career, and why he chose Hazard, Nebraska for a hit.
Writing with Phil Lynott, Scott saw their ill-fated frontman move to a darker place in his life and lyrics.
Greg talks about writing songs of "universal truth" for King Crimson and ELP, and tells us about his most memorable stage moment (it involves fireworks).
Billy Joel and Hall & Oates hated making videos, so they chose a director with similar contempt for the medium. That was Jay Dubin, and he has a lot to say on the subject.