"What I did do with that particular cover was read their lyrics, and understand that there is a good force and a bad force: the good force was music, creativity, and freedom of expression-and the bad force was anything that was contrary to that. The man is the hero of the story. That he is nude is just a classic tradition ... the pureness of his person and creativity without the trappings of other elements such as clothing. The red star is the evil red star of the Federation, which was one of Neil's symbols. We basically based that cover around the red star and that hero. Now, that hero and that kind of attitude about freedom of expression and the band having that kind of feeling ... at the time, it never ready occurred to me, to be honest with you, that they would adopt it quite so seriously as a logo. Because it's appeared just about everywhere, thereafter." - Hugh Syme, Creem interview, 1983

The songs on Lady Gaga's The Fame Monster album represent a "fear" of some "monster." "Alejandro" is her "fear of sex" monster.

"Aberdeen" by Cage The Elephant is named after the birthplace of Kurt Cobain. It's in Grays Harbor County, Washington.

Jimmy Buffett's "Cheeseburger In Paradise" has muenster (cheese), not mustard, as commonly misheard in the line "medium rare with muenster'd be nice."

Richard Marx' debut single, "Don't Mean Nothing," features Joe Walsh on guitar. They didn't know each other beforehand; Walsh heard a demo of the song and asked to play on it.

Jimi Hendrix wrote "The Wind Cries Mary" not about marijuana, but about his girlfriend at the time, Kathy Mary Etchingham.

"Who Let The Dogs Out" won a Grammy. It took the award for Best Dance Recording in 2000.
Fishbone has always enjoyed much more acclaim than popularity - Angelo might know why.
On Glen's résumé: hit songwriter, Facebook dominator, and member of Styx.
Ian talks about his 3 or 4 blatant attempts to write a pop song, and also the ones he most connected with, including "Locomotive Breath."
"I'll Be" was what Edwin called his "Hail Mary" song. He says it proves "intention of the songwriter is 180 degrees from potential interpretation by an audience."
The 2011 Artist of the Year at the Dove Awards isn't your typical gospel diva, and she thinks that's a good thing.
In 1986, a Stephen King novella was made into a movie, with a classic song serving as title, soundtrack and tone.