Rejoice

Album: single release only (2026)
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Songfacts®:

  • Def Leppard had spent over four decades perfecting the art of turning adversity into something you can sing along to at unreasonable volume, and "Rejoice" is very much in that grand, fist-in-the-air tradition. Released on January 22, 2026, just ahead of their return to their Las Vegas residency - Def Leppard: Live at Caesars Palace - the song arrived like a motivational speech delivered through a wall of amplifiers.
  • "Rejoice" follows a classic "zero to hero" arc. It opens in darkness, "All I see is black," before singer Joe Elliott sets about the slow, determined business of clawing his way back into the light. It's a trajectory that fits comfortably within the band's long-standing fondness for big, upward-sweeping anthems, even if this time the focus is less on romance and more on personal resurrection. Where songs like "Pour Some Sugar On Me" revel in swagger and spectacle, "Rejoice" trades in something sturdier; equal parts grit and glitter, with the emphasis firmly on earning the uplift rather than simply turning the volume up and hoping for the best.
  • "Rejoice" flips the band's usual songwriting dynamic on its head. Traditionally, guitarist Phil Collen arrives with a riff, a chord progression, or something vaguely explosive, and Joe Elliott builds a lyrical skyscraper on top. This time, Elliott turned up with the blueprint already in hand: a concept about hitting bottom and launching skyward again. When he asked Collen if he had a piece of music that matched his lyric, the guitarist dug out an idea that went with it perfectly.

    "I had this riff, this idea for a song a while ago actually, so when Joe came to me I created this drum loop based with a tribal sound and it fit perfectly with this other arrangement I had," said Collen. "I sent it to Joe and it was like magic, he sang straight over the top of it. And that's how the song was formed."

    From there, the track was handed to longtime producer Ronan McHugh, who helped shape it into what Collen described as a "powerful chant."

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