
The Strokes admitted to purloining Tom Petty & the Heartbreakers' "American Girl" for their 2001 hit "Last Nite." "Yeah, we ripped it off," lead singer Julian Casablancas said.

"Sunday Girl" was written by Blondie guitarist Chris Stein to cheer up Debbie Harry after her cat had run away whilst they were away on tour. The gray cat was called Sunday Man.

New Order got the title for "Blue Monday" from an illustration that read "Goodbye Blue Monday" in the Kurt Vonnegut book Breakfast Of Champions. The image refers to the invention of the washing machine improving housewives' lives.

"Only Wanna Be With You" by Hootie & the Blowfish is a tribute to Bob Dylan, but Dylan sued them over it for using lyrics from his song "Idiot Wind."

The love is growing in the '70s hit "Love Grows (Where My Rosemary Goes)" because rosemary is the name of an herb.

Elvis Presley' first #1 on any chart was "I Forgot To Remember To Forget." It arrived at the top of the Country tally on February 25, 1956 and stayed there for two weeks.
Hitmaker Carl Sturken on writing and producing for Rihanna, 'N Sync, Christina Aguilera, Kelly Clarkson, Donny Osmond, Shakira and Karyn White.
Roger reveals the songwriting formula Clive Davis told him, and if "Eight Miles High" is really about drugs.
Scaramouch, a hoople and a superhero soundtrack - see if you can spot the real Queen stories.
Phil was a songwriter, producer and voice behind many Philadelphia soul classics. When disco hit, he got an interesting project: The Village People.
Shows like Dawson's Creek, Grey's Anatomy and Buffy the Vampire Slayer changed the way songs were heard on TV, and produced some hits in the process.
Greg talks about writing songs of "universal truth" for King Crimson and ELP, and tells us about his most memorable stage moment (it involves fireworks).