23

Album: The Great Divide (2026)
Charted: 33
Play Video

Songfacts®:

  • "23" finds Noah Kahan wrestling with one of the most painful realities in any long-term relationship: loving someone whose self-destructive habits keep placing them just out of reach. The song works both as the story of a romantic relationship strained by addiction, and a portrait of a sibling or lifelong friend whose substance use has slowly eroded a once-unshakable bond. Kahan never pins down the relationship, and the details are specific enough to feel lived-in yet broad enough to encompass anyone who has watched a loved one disappear in stages.
  • Though emotionally exhausted, Kahan remains deeply invested in this person trapped in a cycle of relapse, recovery, and disappointment. That dynamic reaches its emotional peak in the line, "I hope you stay gone." On paper, it reads like a rejection. In practice, it's something sadder and more complicated. Kahan isn't wishing for permanent absence so much as wishing to preserve the version of this person he still loves. If they stay away, that memory remains intact. If they come back unchanged, the cycle begins again.
  • "23" appears on Kahan's fourth album, The Great Divide, and is one of five songs he wrote entirely on his own, alongside "Orbiter," "Headed North," "Spoiled," and "All Them Horses."

    The absence of co-writers gives the song an unusually intimate quality. Every observation, every contradiction, and every unresolved feeling belong solely to Kahan.
  • Twenty-three, clean in the engine heat Teaching me how the thing runs

    The image recalls two people leaning over a car engine, sharing knowledge and companionship before addiction complicated things. Anyone who has worked on a car knows the peculiar warmth that rises from the engine bay and settles across your face. In Kahan's hands, that heat becomes a symbol of intimacy, a language spoken through shared experiences rather than conversations.

    Cars are a recurring motif across The Great Divide - from the American car he drives to his sister to the dashboard devil - but here they represent something more personal: a time before the fracture, when the relationship had a language that didn't require words.
  • Tattooed your initials into my right arm
    So I'd see your name when I lift up a drink


    What begins as an act of devotion becomes something far more complicated. The tattoo ensures that this person remains present during moments of weakness. The lyric also draws an uncomfortable parallel between Kahan's own drinking and the other person's addiction. They may be fighting different battles, but they're carrying each other into them.

Comments

Be the first to comment...

Editor's Picks

Gene Simmons of Kiss

Gene Simmons of KissSongwriter Interviews

The Kiss rocker covers a lot of ground in this interview, including why there are no Kiss collaborations, and why the Rock Hall has "become a sham."

Vince Clarke

Vince ClarkeSongwriter Interviews

An original member of Depeche Mode, Vince went on to form Erasure and Yaz.

Incongruent Opening Acts

Incongruent Opening ActsSong Writing

Here's what happens when an opening act is really out of place with the headliner, like when Beastie Boys opened for Madonna.

Subversive Songs Used To Sell

Subversive Songs Used To SellSong Writing

Songs about drugs, revolution and greed that have been used in commercials for sneakers, jeans, fast food, cruises and cars.

Jim Adkins of Jimmy Eat World

Jim Adkins of Jimmy Eat WorldSongwriter Interviews

Jim talks about the impact of "The Middle" and uses a tree metaphor to describe his songwriting philosophy.

Bill Medley of The Righteous Brothers

Bill Medley of The Righteous BrothersSongwriter Interviews

Medley looks back on "Unchained Melody" and "You've Lost That Lovin' Feelin'" - his huge hits from the '60s that were later revived in movies.